The Slicer - S9-E7
Continuity mistake: When Elaine is woken up by her neighbor's alarm she looks at her own bedside alarm clock and it shows 3.30 AM. In the next shot when she buries her face in her pillow and screams, that clock shows 3.29 AM. (00:00:50)
The Slicer - S9-E7
Continuity mistake: The slice of meat Elaine is holding up is not swinging in one shot, but after a cut it is suddenly swinging, and after another cut it is swinging more. (00:07:30)
The Slicer - S9-E7
Continuity mistake: At the end of the episode, after George has successfully airbrushed himself out of Kruger's picture and reinserted an authentic picture of Kruger, Kruger picks up the picture and explains to George why he doesn't think the mole Kramer discovered in Kruger's cancer screening is anything to worry about. After George says "Whatever" and just before Kruger begins explaining the story behind the picture to George, he tilts the picture towards the camera and if you look closely you can see that George is still in the picture. (00:11:00 - 00:22:20)
The Apology - S9-E9
Continuity mistake: When Jerry and his naked girlfriend are playing scrabble just after Jerry accuses her of stealing and it flips to the front at the bottom of the screen you can see a bra or towel covering her breasts but is gone when she stands up. (00:03:40)
Continuity mistake: When George is at the window making a complaint, a cut reveals several inconsistencies. The man at the window has his arms in a higher position in the second shot (plus his facial expression is changed), the woman no longer has her hand up on the wall, and George's left hand is suddenly resting on the table. (00:15:55)
Continuity mistake: George teleports from being on the other side of the room to standing right next to Jerry after a cut. (00:02:45)
Continuity mistake: Kramer is holding his hands in front of him with a back scratcher in his left hand, and then suddenly after a cut his hands are not up and we don't see him holding a back scratcher. He proceeds to close the door with his left hand, which is now holding nothing. (00:05:25)
Continuity mistake: When George is about to walk away from Jerry, he begins to close up his wallet, but in the next shot, it is fully open again. (00:18:40)
Continuity mistake: When Newman and the landlord look into Kramer's apartment through his peephole, the background doesn't match from when they look in and when he opens the door.
The Cartoon - S9-E13
Continuity mistake: After George and Janet leave The Apartment, Jerry gets mad at Kramer for saying Janet looked like him. He shoves Kramer and the bottom half of the freezer door swings open. The next few shots show Jerry and Kramer from the chest up, but when a wide view shot is shown again, the freezer door is closed. It does not appear Jerry shut the door.
Continuity mistake: When Loretta comes into The Apartment she is carrying a coat and roses in one hand and the other hand is supporting her handbag by her right shoulder (left on screen). In the next shot she is holding the bottom of the flowers with both hands instead of just the left hand.
Continuity mistake: When Kramer and Jerry are talking about the bird being in the hallway, notice how the intercom keeps changing. In some shots the intercom is not set straight and leaning to the right and in other shots it is completely straight. The most notable change is when Kramer is leaving The Apartment. It goes from crooked as he is leaving, then straight while he is outside in the hall and then the entire unit is completely pulled right out after Kramer rushes backs in.
The Burning - S9-E16
Continuity mistake: At the beginning of the episode, when Puddy is farewelling Elaine on the street, he is standing on the sidewalk and leaning through the driver's window. The following shot when she pulls out quickly, you can see through the windows of the car that Puddy is nowhere to be seen.
Continuity mistake: The private jet that The Limo pulls up to on the ground and the one that they show the gang on while flying are two different types of planes.
Answer: Composer Jonathan Wolff used a synthesizer, although in seasons 7-9, a real bass is used in addition. Wolff also recorded himself making hundreds of mouth noises, pops, and slaps to add to the synthesized bass licks so that each episode has a different theme. The only real "back-story" is Jerry Seinfeld was having trouble coming up with a theme song and talked to a friend who happened to know Wolff. They wanted to avoid that cheesy late 80's sit-com theme song and Wolff came up with what we enjoy now. Jonathan Wolff has also talked about this further in interviews, recently Reed Dunela interviewed him, so for a fuller account of his story; check out "The Wolff of 116th street".
Bishop73