The Battle of Canoga Park - S4-E3
Visible crew/equipment: At the start, when "created by Roy Huggins and Stephen J. Cannell" appear onscreen, in the next shot the reflections of the camera operator and camera are visible on the glass door of Reidy's office. Then again in the following shot, just before that door is opened. (00:02:20)
Visible crew/equipment: While Rockford is driving with his father in the pickup Hammel's goon goes after Rocky again, and when they get to the docks Rockford shows Becker the window that was shot out. When Becker tells Rocky where to park the pickup, the shadow of the boom pole and mic is visible on the truck bed cover as Rocky drives off. (00:39:10)
The Dark and Bloody Ground - S1-E3
Visible crew/equipment: When Rockford returns to his trailer and begins to tell Rocky about his ordeal with the semi in Arizona, just as Rockford says, "It tried to run me off a mountain," watch as the microphone pops up at the bottom, right side of the screen behind the glass bowl. (00:22:55)
Backlash of the Hunter - S1-E1
Continuity mistake: Rockford's car has license plate number "835-OKG" at the front of his car, but license plate number "853-OKG" at the back of his car, a few times during the episode. (00:35:40 - 00:37:50)
The Dark and Bloody Ground - S1-E3
Continuity mistake: At lunch, Jim asks Beth Davenport to find out everything Ann knows about her husband. She is touching her necklace, but at the cut that same hand holds a mug. (00:09:10)
Continuity mistake: At the end, while the Bassetts and Karen Hathaway are at Rockford's trailer, there's still damage to the door's wood trim from the earlier shooting, but when the couple exit the trailer all of that damage disappears, between shots. (00:44:10 - 00:44:55)
Continuity mistake: While Rocky and Jim are at the trailer discussing jury duty, when George and Fran Bassett arrive Jim tells them to come in. In the shot facing them, as they climb up the exterior steps and walk through the doorway, changes occur; there are four holes in the door trim, there's only about three inches space between the shutters and doorway, the toggle switch is down. Next shot, the four holes are gone, space between the shutters and doorway significantly increased, and the toggle switch is now up. (00:12:40)
Visible crew/equipment: After Rockford causes the car to crash, and he escapes from his abductors, the reflection of lighting and filming equipment is visible across the side of the car. (00:28:15)
Visible crew/equipment: While Rockford is in the parking garage he's abducted then placed in another car, and when the front passenger door is closed, we can see the reflection of the camera operator and camera on the door's surface. (00:26:50)
Visible crew/equipment: When Rockford is riding in the car with his abductors, in the exterior shots facing all three men in the car, the shadow of the camera is visible on the car's hood. The car's rearview mirror also vanishes and reappears on the windshield between shots. (00:27:30)
The Man Who Saw the Alligators - S5-E17
Visible crew/equipment: At Adrianna's cabin Tony Boy confronts Rockford directly, and just as Rockford says, "Why don't you and I just talk," the tip of the moving microphone pokes up at the bottom of the screen. Then, when Tony Boy says, "Maybe take a look into the future, everybody grab a seat, let's go," the microphone moves around quite a bit more at the bottom of the screen. (00:37:10)
The Man Who Saw the Alligators - S5-E17
Visible crew/equipment: When Richie brings Tony Boy to the car to see their mother, during this scene there are multiple reflections of the crew's lighting including 9-light par banks, and when Tony shuts the car door the reflection of the camera operator is visible as well. (00:09:15 - 00:11:40)
Never Send a Boy King to Do a Man's Job: Part 2 - S5-E21
Visible crew/equipment: When Rocky reminds Jim that he's supposed to be doing something constructive, and Jim replies, "I'm trying to straighten up my checkbook," the bouncy boom mic casts a shadow on the door, at the right side of the screen. (00:15:10)
Never Send a Boy King to Do a Man's Job: Part 1 - S5-E20
Visible crew/equipment: After Jim gives Angel the twenty dollars as a courtesy audition fee Angel storms off. In the next exterior shot, when Jim and Richie exit the building, on its glass doors we can see the reflection of the moving boom pole/mic being held by the boom operator with his arms up.
Visible crew/equipment: While Rockford tells the other jurors that he has reasonable doubt, and that he's not changing his mind, under the table there's a visible white T-mark taped to the floor between Jim and the juror beside him. (00:08:10)
Visible crew/equipment: After Jim parks his car, on his way to see Valerie he walks past Mrs. Zakarian waiting in her car, and the crew and filming equipment are reflected across the surface of Zakarian's car. (00:07:45)
Continuity mistake: When Rocky pushes Jim to listen to Val's message, Jim stands between his desk and the wall then reaches over with his left hand (wearing the watch) to hit the play button, but in the closeup it's Jim's right hand turning the machine on, and it's from the other side of the desk. (00:05:30)
The Battle-Ax and the Exploding Cigar - S5-E14
Visible crew/equipment: When Agent Spelling has heard enough, he tells Agent Tallafero to have Musia get a Marshall to take Rockford and his "buddy" to County for the night. In the next shot facing Rockford and Tallafero, the actor's green tape mark is visible under the desk before Rockford stands up. (00:11:20)
Continuity mistake: When Rockford is with Agent Kleinhoff on the tarmac, the airplane Rockford boards has N-number N664CL, but the airplane that takes off has many more windows and a Canadian flag (it's not the 70's Air Canada logo) on its tail; then the plane in midair has N-number N953GA. Mid flight there are more discrepancies in the airplane's configuration. Finally, the airplane that lands has the original tail number N664CL. (00:06:35)
With the French Heel Back, Can the Nehru Jacket Be Far Behind? - S5-E13
Visible crew/equipment: After Rockford pokes fun at the way Masters uses "we" instead of "I" when speaking of himself, Margot calls out to Masters then walks over with the telephone, and the T-mark is visible on the floor in front of Masters. (00:16:10)
