pgsgrad16

Revealing mistake: Throughout the auditions process Val is nowhere to be found, but suddenly appears in the finals and makes the cut. And yellow shorts gal reappears after Zach had eliminated her during the ballet audition.

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Revealing mistake: During the first round of auditions. The gal in the yellow shorts does fine. But then suddenly during the final ballet elimination, she can't keep up with the other girls and makes mistakes before Zach kicks her off.

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Audio problem: When Ron hangs up the phone in Caroline's hotel room, and she comes out and asks who was on the phone, there is an obvious echo when Ron answers 'wrong number' indicating poor acoustics from the sound stage.

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Audio problem: When Jack has baby Megan hoisted over the hand dryer, Kenny calls out to him in an echo, and Jack answers in an echo, indicating a bad sound acoustic in the obvious studio space.

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Other mistake: When John first enters the attic room, it's a roughly 8ft by 8ft small space. Yet after he opens the music box, the camera pulls back and the area is suddenly much wider.

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Too Tough to Die - S1-E16

Other mistake: The agent uses her remote to unlock her car in the parking garage. But during the closeup manually inserts the key in the lock.

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Audio problem: When Caroline is walking around the boardroom meeting on her first day, every ounce of dialogue from the corporate team is echoed, indicating it must be a bad studio recording from the background.

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Revealing mistake: When Brad and Caroline are running off in the taxi, across the border to PA, it is obvious that the lighting inside the cab are studio lights from the traveling crew, as natural moonlight would not reflect so strongly inside or out of the cab, at that speed.

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Continuity mistake: In several of the close and distant shots of the taxi chase, Caroline's position in the backseat changes from not there, to left side, to center.

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Show generally

Continuity mistake: When Karen first moves in with Angela Jeffries (lesbian lawyer) after leaving the old ladies' ward, Angela discloses to Karen that she's a lesbian. However, a few episodes later when Karen returns from a date with Dr. Greg, Angela discloses to her again that she's a lesbian, and Karen acts all surprised and disappointed.

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Show generally

Visible crew/equipment: Shadows of the boom, crew, and cameras can be seen moving about in overhead shadows during varied scenes.

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Show generally

Other mistake: When Lizzie, Bea, and Lynn visit Dr. Greg in his office, Lizzie visually 'sneaks' a pack of meds from the open tray across from Dr. Greg. But he somehow doesn't see this in plain sight, while talking with Bea.

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Cool Change - S1-E2

Revealing mistake: Dead Hotel guy's torso moves slightly up and down during his autopsy.

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Revealing mistake: When the kids break the pipes in the bathroom, the dude sitting on the stall is wearing a visible thong while on the toilet.

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Revealing mistake: When General Roth is threatening Jason with his claws wrapped around Jason's throat, the very moment he tilts his chin back, you can see the actor's open mouth and teeth visible inside, though he's supposed to be an alien enemy.

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Continuity mistake: Baby suffers a rather large open forehead gash above her left eyebrow, following a bloody cell brawl. But in the seceding scenes, it has disappeared.

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Continuity mistake: When Rebecca and Henner are about to take their first kiss as a married couple, and Brad and Caroline follow suit, the closeness of each couple changes between shots. (01:30:00 - 01:30:40)

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Other mistake: Near the end, the wedding bands Brad offers to Caroline for reconciliation are very different from what they wore at the beginning. Which were a full a gold banded, rich carat diamond set.

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Visible crew/equipment: Obvious crew lighting in the background when Brad and Caroline are walking along the dark road arguing, and then take a break in the wooded clearing near the cows. (00:29:40)

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Episode #1.65 - S1-E65

Revealing mistake: For a prison governor/warden, Mrs. Davidson (Erica) would presumably earn a modest upper middle class salary. Yet here she is on the phone, in the foyer of her home, wearing an elaborate house dress, surrounded by very stellar furnishings. But then she answers a knock at the door, and opens it to reveal a very ugly vertical striped wall mere feet behind her visitor. Obviously indicating that she either lives in a dim-tenant or low-scale apartment, or this scene was shot in-studio.

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