Fatal Attraction

Continuity mistake: Michael Douglas is going home to Mount Kisco the very very long way down Riverside Drive South. Again Alex's tape hasn't skipped a beat.

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Continuity mistake: When Michael Douglas is listening to Alex's tape it's midday when he enters the East River Drive underpass and comes out the sun has clearly set. Alex's tape doesn't skip a beat. (01:17:00)

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Continuity mistake: When Michael Douglas puts on his headphones to listen to the tape in his den, he puts the headphone with the cord on his left ear. When his wife startles him the cord is on his right ear.

Continuity mistake: When Dan throws Alex into the bath, she goes in face down, but suddenly she is face up - which would be a difficult manoeuvre in a small bath.

kh1616

Continuity mistake: When it looks like Alex is dead in Dan's bath, she has a long strand of blood coming out of her mouth, but a second later it's gone, and her eyes, which were white, are no longer white - they are open and look like normal eyes.

kh1616

Continuity mistake: When Alex, naked in bed, jumps up to stop Dan leaving, she attacks his shirt, and you can hear it ripping, but, later, it's completely fine - no ripped bits anywhere.

kh1616
Fatal Attraction mistake picture

Continuity mistake: When Dan leaves the budget office in his rental car, the front license plate is mounted off to one side, unusual for this type of vehicle. When he arrives at the house, it's still the same license plate number, but the plate is now mounted on the centre of the bumper.

Continuity mistake: When Dan's wife is by the dinner table talking about the house, his arm is up, yet a frame later from a different angle is down.

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Continuity mistake: In the elevator scene as you look down the shaft from above, the air is crystal clear with no smoke in sight. Then in a few seconds smoke appears near the windows but in the next shot when the elevator stops the smoke is gone. (00:20:10)

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Continuity mistake: In the scene where Beth is desperately trying to find Ellen, she approaches a stopped Chevrolet Caprice wagon and rear ends it. When the camera switches to an interior shot of Beth's vehicle during the collision, the vehicle in front has changed to a Ford LTD wagon.

Continuity mistake: While eating together, Alex tells Dan that she stood up her date, and raises her hand. From the opposite angle it's lowered.

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Continuity mistake: When Dan and Alex are under the rain, a black man in a gabardine passes by Dan, and a frame later passes by Alex, in the opposite direction.

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Continuity mistake: Dan is having a drink with Alex and he talks about his parents' divorce. His glass swaps from being on the table to in his hand between shots.

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Continuity mistake: After Glen Close kicks Michael Douglas out of her apartment he's standing next to her bicycle holding his stuff. It can be assumed that he put the stuff on the bicycle seat because in the next shot his hands and the handlebars are empty. But later as we see him getting ready to leave again his stuff is the on handlebars. (00:34:35 - 00:37:10)

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Continuity mistake: When the little girl is playing in the back yard outside the rabbit cage it's winter, not a leaf in the tree she is under. In the very next shot as they get into their car all shrubs and trees in this shot have their leaves. (01:23:10)

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Continuity mistake: When the phone rings as Beth paints, Beth puts her roller in the tray and goes to answer the phone. When she returns the roller is in a different position than it was before.

Continuity mistake: In the beginning, Michael Douglas tells Glenn Close that he has a 6 year old daughter. Later in the movie when Douglas is talking to his wife on the phone about the daughter missing school, she says "She's 5 years old, what is she gonna miss, Trigonometry?"

More mistakes in Fatal Attraction

Alex Forrest: I had a wonderful time last night. I'd like to see you again. Is that so terrible?
Dan Gallagher: No. I just don't think it's possible.

More quotes from Fatal Attraction

Trivia: In the cocktail party scene, there is a quick shot of the large crowd attending the party. Look closely at the dark-haired man near the front of the party goers - it's James Eckhouse, who played Mr. Walsh on "Beverly Hills 90210" He also had a similar, uncredited role as an 'extra' in the first bar scene in the movie "Cocktail."

More trivia for Fatal Attraction

Question: What is the significance of Glenn Close and the color white? I noticed that her apartment is white and with the exception of one scene when she's wearing the black leather coat, she is always wearing white. Any thoughts on this?

Enchantress

Chosen answer: With questions such as this, one can either speculate, or one can go directly to the source. So, using IMDb, I looked up the names of the crew on "Fatal Attraction." The costume designer is listed as Ellen Mirojnick. The set decoration was the responsibility of George DeTittas, Sr. I found Ellen Mirojnick on Facebook (https://www.facebook.com/Ellenmirojnick/posts/263462080524551?comment_id=263621453841947&offset=0&total_comments=2┬Čif_t=feed_comment), and posed the question to her. This was the reply she gave: " (I)n our process there is always a purpose for a palette to tell a story dramatically. I chose white for her character because white is powerful and although not essentially a "color" it reflects all other colors, which would in turn reflect where we were in the story. I thought through her silhouettes and use of shades of whites, it would reflect her mood and not give away the demon she kept hidden. WHITE is powerful... As she was!" I have not yet been able to track down Mr. DeTittas for comment. But I have posed the additional question to Ms. Mirojnick regarding whether the color palette motif was a decision shared by different departments on the film. Ms. Mironjnick added the following comments: "she wears white to discuise (sic) her darkness, that somehow is revealed in certain places.. white is all things combined .. it radiatesits (sic) the confusion as if she was in an asylum, but her own."

Michael Albert
More questions & answers from Fatal Attraction

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