Fatal Attraction

Audio problem: The dialogue that Michael Douglas hears Glenn Close saying when he walks into his apartment to find Glenn Close talking to his wife is the exact same thing that she says just before she leaves when Ann Archer gives her their phone number.

Continuity mistake: In the beginning, Michael Douglas tells Glenn Close that he has a 6 year old daughter. Later in the movie when Douglas is talking to his wife on the phone about the daughter missing school, she says "She's 5 years old, what is she gonna miss, Trigonometry?"

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Alex Forrest: You're here with a strange girl being a naughty boy.
Dan Gallagher: I don't think having dinner with anybody's a crime.

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Trivia: The opera that Glenn Close buys the tickets for is Madame Butterfly. That is the song she is listening to when we see the first signs that she is losing it. Note: At the end of Madame Butterfly the heroine kills herself over a lover. In the director's cut of Fatal Attraction Glenn Close cuts her throat in the bathroom of Michael Douglas' house thereby killing herself over a lover.

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Question: What is the significance of Glenn Close and the color white? I noticed that her apartment is white and with the exception of one scene when she's wearing the black leather coat, she is always wearing white. Any thoughts on this?

Enchantress

Chosen answer: With questions such as this, one can either speculate, or one can go directly to the source. So, using IMDb, I looked up the names of the crew on "Fatal Attraction." The costume designer is listed as Ellen Mirojnick. The set decoration was the responsibility of George DeTittas, Sr. I found Ellen Mirojnick on Facebook (https://www.facebook.com/Ellenmirojnick/posts/263462080524551?comment_id=263621453841947&offset=0&total_comments=2┬Čif_t=feed_comment), and posed the question to her. This was the reply she gave: " (I)n our process there is always a purpose for a palette to tell a story dramatically. I chose white for her character because white is powerful and although not essentially a "color" it reflects all other colors, which would in turn reflect where we were in the story. I thought through her silhouettes and use of shades of whites, it would reflect her mood and not give away the demon she kept hidden. WHITE is powerful... As she was!" I have not yet been able to track down Mr. DeTittas for comment. But I have posed the additional question to Ms. Mirojnick regarding whether the color palette motif was a decision shared by different departments on the film. Ms. Mironjnick added the following comments: "she wears white to discuise (sic) her darkness, that somehow is revealed in certain places.. white is all things combined .. it radiatesits (sic) the confusion as if she was in an asylum, but her own."

Michael Albert

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