Continuity mistake: In the scene when Danielle is brushing the stepmother's hair and the stepmother pulls her to the ground to touch her face, Angelica Huston's hand keeps on moving from Danielle's face to her own face in every shot. (00:54:15)
Continuity mistake: When Marguerite threatens to toss 'Utopia' into the fireplace, she holds the book out to her left, where the fireplace and its roaring fire are located. When Danielle hands over the glass slippers, Marguerite moves her arm from her side and proceeds to forcefully throw the book down directly in front of her (between Marguerite and Danielle, who face each other). Odd though, how in the next close-up 'Utopia' is shown having been tossed straight into the fire to burn, as Danielle screams. (01:13:35)
Continuity mistake: Before Auguste De Barbarac arrives home, from the upstairs window young Danielle is speaking to young Gustave, who is down below. The window/frame/hinge differ between exterior shots facing Danielle and the interior shots facing the courtyard. The wallpaper is an entirely different print as well, and the silver pitcher does its own vanishing act. (00:04:50)
Continuity mistake: After Danielle's father says "I love you" to her, he dies and his head falls. Then when the shot changes to Danielle and the Baroness, you see his head fall again. (00:10:40)
Continuity mistake: When Danielle and Prince Henry are just about to fight with the gypsies in the woods, Danielle is clambering up a cliff, when you see her the sky is light blue as it is daytime, but in the next shot the sky is dark (night time) and then back to light blue again. (01:04:40)
Continuity mistake: When Auguste falls off his horse, the ground leading to the gate is blanketed in long pronounced shadows of tree trunks, but when young Danielle runs to him the only shadows are of treetops (branches and leaves). (00:09:55)
Continuity mistake: When Paulette is dressing young Danielle, before her father's arrival with the new stepmother, just before Louise says, "She must be lovely," she passes the window with items on the windowsill. When Daniel runs to that window the items change. (00:04:30)
Continuity mistake: When Danielle is up in the tree, Henry and the Gypsy begin to fight. That Gypsy is wearing a greenish hood/shawl over his shoulders, which suddenly disappears and then reappears between shots.
Continuity mistake: At the start of the tennis game, the black straps around Henry's right calf have fallen to his ankle, but are back up properly before he falls onto the spectators.
Continuity mistake: When Auguste leaves the manor, as he says his goodbyes to Rodmilla and Danielle, Louise's arms keep changing position from being crossed, to being clasped, to being down and so on, between consecutive shots. (Visible on fullscreen DVD.)
Continuity mistake: After Auguste tells young Danielle that he needs to leave again in a fortnight, the book's title 'Utopia' lies face up on the bed in the close-up, but face down in the previous and following shots. (Visible on fullscreen DVD.)
Continuity mistake: When Auguste dies, the Baroness stands up to be consoled by Maurice, and Auguste's left leg is crossed over his right, but in the next overhead shot his legs are uncrossed. (00:11:10)
Continuity mistake: When Danielle is behind the four-paneled privacy screen, as she tosses her dress over it, there is a painting which hangs on the wall, about a foot away from the window to her right. When Gustave tosses the 'courtier' gown to her, the painting is gone, though it should actually be visible if it were there. (00:22:05)
Continuity mistake: When Gustave walks over to Danielle and continues to say, "Five days in the stocks," his arms are down at his sides, but next shot as Danielle playfully flicks his nose, his hands are snugly under his belt in front of him. (Only visible on fullscreen DVD.) (00:21:50)
Continuity mistake: After Danielle leaves the ball, when Leonardo places Danielle's glass slipper on the stone ledge near Henry, its position changes between shots.
Continuity mistake: When Danielle is swimming and Leonardo da Vinci walks on water next to her, in the frame before his "looks like rain" line, you can obviously tell that Drew is on her back in the shallow water because she is floundering her arms so much. (00:44:20)
Continuity mistake: In the first scene, the king asks Henry "what's this about a servant". During this shot he takes a few steps forward. Then the scene cuts to Henry and we can see the King in the background, again taking some steps forward and saying something, yet nothing can be heard. (01:22:40)
Continuity mistake: At the end when the court bows to Danielle, in the wide shot you can see Jacqueline curtsying. But when it cuts to the closeup of Marguerite who's standing next to her, you see Jacqueline drop down into her curtsy again. (01:52:30)
Continuity mistake: When Auguste is lying on the ground after falling from the horse, Rodmilla turns him over onto his back. In the two shots facing up towards Rodmilla and Danielle, Auguste's right arm is lying across his chest with Danielle holding his right hand, but in shots facing down towards Auguste, his right arm is outstretched on the ground, up near his head. Additionally, in the same shots Danielle goes back and forth from leaning her left hand on the ground at her side, to having her left hand in front of her, on her father's chest. (00:10:20)
Continuity mistake: At the tennis match, when the ladies stuff their handkerchiefs into Henry's vest, in the following shots some of the handkerchiefs disappear, reappear or change position. (00:48:40)
Answer: Rodmilla is an untrustworthy source of information. Rodmilla arrogantly tells Danielle, "I have it on good authority that before your rather embarrassing debut, the prince was about to choose Marguerite to be his bride." I believe Rodmilla is lying to Danielle only to further torment her. Rodmilla plunges the figurative knife into Danielle by declaring her a "pebble in her shoe" step-daughter, before she's taken away by the repulsive Le Pieu. When Henry made the deal with his father, he was given the choice of finding "love" or to marry Spain's Princess due to the marriage treaty. Right before the ball, Henry in despair, thinks he failed at finding love, and King Francis tells him it may have been unfair to put so much pressure on him about Spain's marriage contract. Francis says, "We don't have to announce anything tonight," and Henry replies, "I've made my decision." Their conversation implies Henry agreed to marry the Princess of Spain, and the announcement was to be made at the ball.
Super Grover ★