Visible crew/equipment: Near the end, when Rodmilla and her daughters are requested to appear before King Francis, in the first shot facing the king and queen, there is a beige narrow mat in front of the large patterned rug, which is not in previous or following shots, specifically used for crew/camera tracking. (01:50:30)
A modern (as in 16th century modern!) twist on the classic cinderella story in which Danielle de Barbarac is thrown at the mercy of her abusive stepmother Baroness de Gent (Angelica Huston) and stepsister Margerite (Megan Dodds). One day, while trying to save a servant, she catches the prince's eye, and falls in love only to know deep in her heart that the relationship can never be.
Prince Henry: I have been born to privilege, and with that comes specific obligations.
Leonardo da Vinci: Horseshit.
Trivia: After Rodmilla and her daughters leave for the masque, during the next scene at the royal palace a large sculpture can be seen in the courtyard, especially in some closeups from different angles, such as when Gustave approaches Leonardo. This mythologically themed sculpture consists of a tailed figure riding upon one of two creatures holding their reins, with a ship behind them. This sculpture can be seen during the very first scene, albeit with a few changes. When Wilhelm and Jacob Grimm walk into the Grande Dame's chamber she is sitting up in an unusual type of bed. Note the bed's "headboard" and "footboard" are the ship hull (in the fullscreen version the bed's side is visible with its distinctive design), and we also see the creatures (minus their horns) with the rider's arm holding their reins at the foot of the bed. Something else to notice near the end, when Leonardo gifts the young couple the belated wedding present the room they're all in is not in the royal palace, they are in the manor, gathered in the dining room where Marguerite had burned Danielle's book Utopia.
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