Danielle: I insist you return my things at once. And since you deprive me of my escort, I demand a horse as well.
Gypsy Leader: M'lady, you may have anything you can carry.
Danielle: [Quickly glances at Prince Henry.] May I have your word on that, sir?
Gypsy Leader: [Thinks about it.] On my honor as a Gypsy, whatever you can carry.
[Danielle walks to Prince Henry, lifts him over her shoulders and begins to walk off with him. All the gypsies laugh.]
Gypsy Leader: [Laughing.] Wait! Please, come back! I'll give you a horse!
Prince Henry: I have no desire to be king.
Danielle: Oh, but think of all the wonderful things you could do for your country, for the world.
Prince Henry: Yes, but to be so defined by your position. To never be seen as who you are, but what you are. You have no idea how insufferable that is.
Danielle: You might be surprised.
[After Marguerite shouts at the servant.]
Baroness Rodmilla De Ghent: Marguerite, precious, what do I always say about tone?
Jacqueline: A lady of breeding ought never to raise her voice any louder than the... Gentle hum of a whisper in the wind.
Baroness Rodmilla De Ghent: Jacqueline, dear, do not speak unless you can improve the silence.
Prince Henry: [Speaking to Leonardo da Vinci.] Sir, you are the very founder of forward thinking and my father is the king of backward. Perhaps you can talk him into the 16th century.
Leonardo da Vinci: Captain Laurent, do translate.
Captain Laurent: Uh, Prince Henry suffers from an arranged marriage, signor...among other things.
Baroness Rodmilla De Ghent: You have so much of your father in you. Sometimes I can almost see him looking out through your eyes.
Baroness Rodmilla De Ghent: Yes, well, your features are so masculine. And, well, to be raised by a man no wonder you're built for hard labor.
Visible crew/equipment: Near the end, when Rodmilla and her daughters are requested to appear before King Francis, in the first shot facing the king and queen, there is a beige narrow mat in front of the large patterned rug, which is not in previous or following shots, specifically used for crew/camera tracking. (01:50:30)Super Grover
Trivia: After Rodmilla and her daughters leave for the masque, during the next scene at the royal palace a large sculpture can be seen in the courtyard, especially in some closeups from different angles, such as when Gustave approaches Leonardo. This mythologically themed sculpture consists of a tailed figure riding upon one of two creatures holding their reins, with a ship behind them. This sculpture can be seen during the very first scene, albeit with a few changes. When Wilhelm and Jacob Grimm walk into the Grande Dame's chamber she is sitting up in an unusual type of bed. Note the bed's "headboard" and "footboard" are the ship hull (in the fullscreen version the bed's side is visible with its distinctive design), and we also see the creatures (minus their horns) with the rider's arm holding their reins at the foot of the bed. Something else to notice near the end, when Leonardo gifts the young couple the belated wedding present the room they're all in is not in the royal palace, they are in the manor, gathered in the dining room where Marguerite had burned Danielle's book Utopia.Super Grover
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