Directed by: Shawn Levy
Starring: Ryan Reynolds, Taika Waititi, Jodie Comer, Joe Keery
Continuity mistake: In Millie's Stash House, the first time you see the revolver Guy takes out, it is not cocked. Then, it is cocked. Then, it is not again. Then, it is. Then, not at the time he actually picks it up and cocks it. (00:26:38 - 00:27:02)
Continuity mistake: Near the start during the 1st bank raid, his hands change position while lying down on the ground talking to the guard.
Guy: I'm not gonna be the good guy... I'm gonna be the great guy.
Molotov Girl: Whoa, enjoy your lifetime supply of virginity.
Trivia: Ryan Reynolds wanted Chris Evans to have a brief cameo in the film. Evans was incredibly busy working on another project, and told the crew that while he definitely wanted to do the cameo... he literally had to be in-and-out of set in about ten minutes time because his schedule was so tightly packed. The crew did everything to prepare for Evans arrival, and once Evans got out of wardrobe/makeup and onto set, they were able to get his scene filmed and get him out in only seven minutes.
Question: How come there was no dedication to Alex Trebek in the credits?
Answer: The movie was completely finished over a year ago. It was the pandemic that delayed it. So it was the finished product that was released.
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Suggested correction: As one of the principal developers of the simulation engine, Millie recognizes that Guy is a non-player character (NPC) who merely obeys a loop of coded actions, and he's supposedly incapable of acting outside of his code. So, she means that NPCs can't just arbitrarily kiss players. Players can do whatever they want, but NPCs are mindless robots. At that point, however, she doesn't realise that Guy's Artificial Intelligence has evolved to independent self-awareness, allowing him to act outside of his code.
Charles Austin Miller
Key's actually says "There isn't a button for that" when Millie brings it up. There would be no way for her to initiate, as her in game actions would be limited to the controls offered.
By the time Millie kisses Guy, we know that the Free City simulation engine was already undergoing Artificial Intelligence evolution, essentially rewriting its own code, allowing Guy (and other NPCs) to achieve independent self-awareness. It follows that Free City was probably rewriting its player code, as well, making all sorts of new and startling functions possible for players and NPCs alike.
Charles Austin Miller