Other mistake: When the pawn shop owner asks Zed if it is Tuesday Zed says it's Thursday, however the fight poster in Butcher post fight scene shows the date as Thursday July 16. This would make it Friday for the next morning's pawn shop action.
Deliberate mistake: Both in the first scene and last scene of the movie, we see Yolanda and Ringo starting the robbery by jumping from their seat and start threatening the costumers. In the first scene, Yolanda says "And I'll execute every motherfucking last one of you." But in the last scene the line changes to "and I'll execute every one of you motherfuckers". (00:04:40 - 02:18:00)
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Suggested correction: Tarantino has explained that this is not an error, rather, he did this on purpose. When we first examine the scene, we are seeing Ringo and Yolanda's conversation from their perspective. Obviously, because this is their conversation, what we hear first is probably what was actually said. However, at the end of the film, what is said is different because we are no longer viewing the situation from Ringo and Yolanda's perspective, but rather everyone else in the diner, most specifically Jules.
Sounds like a typical Tarantino excuse for a stupid blunder.
I believe about 70% of the so-called mistakes called out here are really cinematic techniques to show points of view, highlight significant action, and underscore dramatic moments.
Vincent: Jules, if you give that fuckin' nimrod fifteen hundred dollars, I'm gonna shoot him on general principles.
Trivia: In Reservoir Dogs, Nice Guy Eddie arranges for Mr. Orange (Tim Roth) to be treated by a nurse he knows named Bonnie. In Pulp Fiction, Jimmy's wife is a nurse named Bonnie.
Question: What exactly does the title of this film mean? Is there even an answer to that?
Chosen answer: It is a reference to a class of fast-paced, sensationalistic, and frequently exploitive stories published in cheap magazines from the 1920's through the 1950's. They were called 'pulp' because of the cheap quality of the paper they were printed on, as opposed to the 'slicks' which were more like full-color magazines of today.
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