Continuity mistake: When Solo begins trying to seduce the dancing girl with the line, "We shall taste paradise," he's standing at least a foot away from her. But in the very next shot, they're suddenly in a clinch: her hands are on his cheeks and they're about to kiss. (00:29:15)Jean G
Continuity mistake: In Waverly's office at the beginning, the contemplative Illya's hand is draped over his glasses salute-fashion in wide shot. But in close-up, it's suddenly curled into a fist at the side of his head. Next shot, he's "saluting" again. (00:06:50)Jean G
Continuity mistake: In Waverly's office, Illya hones his combat skills by swinging at a suspended wooden block with a baseball bat. When the alarm goes off, Illya puts the bat down on the table, and he and Solo rush to the computer console. In the next, reverse angle shot, the block is still hanging from the ceiling, but the baseball bat has vanished from the table.Jean G
Continuity mistake: At the end, Solo and Illya are sitting at a small bistro table as the captured bad guys are marched past them. Solo wears a green fez, and between shots, Illya suddenly acquires a red one. It wasn't in his hands or on the table before that: it just seems to appear on his head out of nowhere. (00:48:35)Jean G
Continuity mistake: At the end, Solo & Illya land the helicopter on top of the furniture van. But after the shot of them in the cockpit bumping to a landing, a wide shot shows the copter still hovering in the air above the van. Cut back to them in the cockpit and they're landed again; back to the wide shot, still in the air. (00:44:35)Jean G
Continuity mistake: Delgado's plane makes a bumpy landing (without a runway) and skids to a stop in the Brazilian jungle, surrounded by palm trees. But when everyone gets off, the plane is suddenly parked in the midst of an industrial compound with buildings all around it, and no palm trees in sight. (00:37:45)Jean G
Plot hole: Solo blows open the ceiling vent of Illya and Marion's cell, and she stands on Illya's shoulders until Solo can reach her and pull her out. This leaves Illya with nothing/no one to stand on, no way to reach the vent and no apparent way out of the cell. But he's out just the same in the next scene, with no explanation as to how. (00:42:40)Jean G
Napoleon Solo: My name is Napoleon Solo. I'm an enforcement agent in Section Two here. That's operations and enforcement.
Illya Kuryakin: I am Illya Kuryakin. I am also an enforcement agent. Like my friend Napoleon, I go and I do whatever I am told to by our chief.
Alexander Waverly: Hmm? Oh, yes. Alexander Waverly. Number One in Section One. In charge of this, our New York headquarters. It's from here that I send these young men on their various missions.
Trivia: "The Man From U.N.C.L.E.'s" original working title was "Solo," and its lead character was named for a spy with a minor role in one of Ian Fleming's early Bond novels. U.N.C.L.E. producer Norman Felton had a handshake agreement with Fleming to use the name and to develop "Solo" as a TV spy series. But the Bond film franchise had other ideas, reneged on the agreement on Fleming's behalf, and sued, forcing the title change. Felton prevailed only in retaining the character's name: Napoleon Solo.Jean G
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