The Man From U.N.C.L.E.

The Man From U.N.C.L.E. (1964)

5 mistakes in The Deadly Goddess Affair

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The Deadly Goddess Affair - S2-E17

Continuity mistake: At the end, Solo and Illya are sitting at a small bistro table as the captured bad guys are marched past them. Solo wears a green fez, and between shots, Illya suddenly acquires a red one. It wasn't in his hands or on the table before that: it just seems to appear on his head out of nowhere.

xx:xx:xx

Jean G

The Deadly Goddess Affair - S2-E17

Continuity mistake: When Hubris and his henchmen confront Narouz, three of the men change positions instantly when the shot cuts to a closer angle. A few shots later, Malik instantly "jumps" from behind Hubris to a spot right beside him.

xx:xx:xx

Jean G

The Deadly Goddess Affair - S2-E17

Visible crew/equipment: When Hubris and his henchmen leave Narouz's bistro, the boom shadow is lurking on the block wall at the lower right.

xx:xx:xx

Jean G

The Deadly Goddess Affair - S2-E17

Continuity mistake: Malik begins peeling an orange with his dagger as Hubris threatens to brainwash Solo. But when the shot cuts, he starts peeling the same orange all over again.

xx:xx:xx

Jean G

The Deadly Goddess Affair - S2-E17

Factual error: Solo's communicator starts transmitting all by itself. He's bound and tied when Illya calls, but somehow the "ring tone" stops and the frequency opens, allowing Illya to hear what the bad guys are saying, all while the unanswered and untouched device is still in Solo's pocket.

xx:xx:xx

Jean G

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Quotes

Napoleon Solo: My name is Napoleon Solo. I'm an enforcement agent in Section Two here. That's operations and enforcement.
Illya Kuryakin: I am Illya Kuryakin. I am also an enforcement agent. Like my friend Napoleon, I go and I do whatever I am told to by our chief.
Alexander Waverly: Hmm? Oh, yes. Alexander Waverly. Number One in Section One. In charge of this, our New York headquarters. It's from here that I send these young men on their various missions.

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Trivia

"The Man From U.N.C.L.E.'s" original working title was "Solo," and its lead character was named for a spy with a minor role in one of Ian Fleming's early Bond novels. U.N.C.L.E. producer Norman Felton had a handshake agreement with Fleming to use the name and to develop "Solo" as a TV spy series. But the Bond film franchise had other ideas, reneged on the agreement on Fleming's behalf, and sued, forcing the title change. Felton prevailed only in retaining the character's name: Napoleon Solo.

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