Spaced Out - S3-E14
Continuity mistake: Diana asks the hotel clerk, "This is what it is, a convention," and places her right hand on the counter. A shot later, she's holding her lenses. In the following shots, her arms' positions are not continuous between the front and back shots.
The Starships Are Coming - S3-E15
Continuity mistake: At the farm, when Diana spins around, the sacks behind change positions between shots. (00:40:37)
The Starships Are Coming - S3-E15
Continuity mistake: When Henry jumps through the window, there are bits of glass remaining on the left side, which disappear an instant shot later.
The Starships Are Coming - S3-E15
Continuity mistake: Trevor's secretary brings his lunch bag and places it on the table. A shot later, the bag has moved 90º around.
The Starships Are Coming - S3-E15
Factual error: The lettering of the Outside Broadcasting van spells 'Pittsburg'; it should read Pittsburgh.
The Starships Are Coming - S3-E15
Revealing mistake: When Wonder Woman is fighting against all of the thugs, one with a brown shirt and a pair of jeans is knocked out, but her punch misses by far.
The Starships Are Coming - S3-E15
Continuity mistake: The gag in Diana's mouth is tied differently between shots.
The Starships Are Coming - S3-E15
Continuity mistake: Before Diana's car runs over the spikes on the road, the wheels turn to our right. In the immediate close-up, a shot later they're facing ahead.
The Starships Are Coming - S3-E15
Continuity mistake: Before Diana's tire blows, her window is rolled up. A shot later, it's down.
The Starships Are Coming - S3-E15
Other mistake: The images of the UFOs shooting are reused from S3E13.
The Starships Are Coming - S3-E15
Continuity mistake: When the people are watching the news about the aliens, the man on the right raises both arms. A shot later, they're lowered.
The Starships Are Coming - S3-E15
Revealing mistake: The old man in grey pyjamas who is launched by Wonder Woman is replaced with a much younger stunt.
The Starships Are Coming - S3-E15
Continuity mistake: In the forest, Wonder Woman stops a car in broad daylight, but a mere frame later it’s night time.
Continuity mistake: Wonder Woman's lasso is tied around the thug's wrist, but a shot later it's around his arm. (00:37:35)
Continuity mistake: When the three guys break into the house, the one with a moustache leans his right hand on the frame of the window while holding a crowbar in his left hand. A shot later, he leans on his left hand and holds the crowbar with his right.
Audio problem: When Eric is arranging where to drop the money, he says, "Mulholland and Sepulveda and Sherman Way." Then he stutters, "Yes, I... I know the area." When Diana plays the tape back, he says, "Mulholland and Sepulveda in Sherman Oaks," and afterwards he adds with quite enthusiasm, "I know the area."
The Richest Man in the World - S3-E17
Revealing mistake: The upper edge of the set is visible during the event. (00:02:55)
The Richest Man in the World - S3-E17
Continuity mistake: Henshaw tells Barney he owes him 50 bucks, both arms lowered. A shot later, his left arm is raised and he is touching his nape. (00:10:09)
The Richest Man in the World - S3-E17
Revealing mistake: When Henshaw and Barney's chase starts, there's a shot inside the car where it's painfully obvious that the car is not moving at all. Check how the reflections on the hood are perfectly still, for example. (00:32:08)
The Richest Man in the World - S3-E17
Revealing mistake: During the car chase scene, skid marks from previous shots are everywhere. (00:32:13)
Answer: The transformation twirling was invented for the 1970s TV series only, to explain her quick change from Diana Prince to Wonder Woman. However, it would have been nice to do a little spin homage in the movie.