The Starships Are Coming - S3-E15
Continuity mistake: When Henry jumps through the window, there are bits of glass remaining on the left side, which disappear an instant shot later.
The Starships Are Coming - S3-E15
Continuity mistake: Trevor's secretary brings his lunch bag and places it on the table. A shot later, the bag has moved 90º around.
The Starships Are Coming - S3-E15
Factual error: The lettering of the Outside Broadcasting van spells 'Pittsburg'; it should read Pittsburgh.
The Starships Are Coming - S3-E15
Revealing mistake: When Wonder Woman is fighting against all of the thugs, one with a brown shirt and a pair of jeans is knocked out, but her punch misses by far.
The Starships Are Coming - S3-E15
Continuity mistake: At the farm, when Diana spins around, the sacks behind change positions between shots. (00:40:37)
The Starships Are Coming - S3-E15
Continuity mistake: Before Diana's car runs over the spikes on the road, the wheels turn to our right. In the immediate close-up, a shot later they're facing ahead.
The Starships Are Coming - S3-E15
Continuity mistake: Before Diana's tire blows, her window is rolled up. A shot later, it's down.
The Starships Are Coming - S3-E15
Other mistake: The images of the UFOs shooting are reused from S3E13.
The Starships Are Coming - S3-E15
Continuity mistake: When the people are watching the news about the aliens, the man on the right raises both arms. A shot later, they're lowered.
The Starships Are Coming - S3-E15
Continuity mistake: In the forest, Wonder Woman stops a car in broad daylight, but a mere frame later it’s night time.
The Starships Are Coming - S3-E15
Continuity mistake: The gag in Diana's mouth is tied differently between shots.
The Starships Are Coming - S3-E15
Revealing mistake: The old man in grey pyjamas who is launched by Wonder Woman is replaced with a much younger stunt.
Answer: There is no logical reason. Any normal person would notice these type of absences. The show employs a "suspension of disbelief," which is a literary device where the movie audience or a book reader accepts that certain things are unreal for the sake of the story to be told. It is similar to no-one noticing that Clark Kent looks exactly like Superman because he wears glasses.
raywest ★