Buffy The Vampire Slayer

Welcome To The Hellmouth (1) - S1-E1

Continuity mistake: The scene where Xander is on his skateboard, he becomes distracted seeing Buffy walk up the stairs and accidentally hits the pole. When the camera pans back, you can see Buffy is out of view, and is nowhere to be seen. Because she was still at the top of the stairs when Xander hit the pole, you should have been able to see her walking in the background.

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Suggested correction: Watching the scene, the only real damage is a slight dent that isn't all that close to the lock (she basically punches out the lock to open it). And to be perfectly honest, a dented locker isn't out of the ordinary for a high school. I saw plenty of dented, bent and damaged locker doors all the time back in high school. It's entirely probable that it is damaged from a previous take, but I think it's also within that sort-of realm of possibility (since like I said, dented lockers aren't out of the ordinary) that it might not be considered a mistake. I'll leave it up to people's votes.

TedStixon

Nightmares - S1-E10

Revealing mistake: When Willow opens the door to the basement to look for Buffy, the shot looking up the basement's staircase shows Willow's shadow on the inside of the door. In the previous shot when she opened the door, it opens towards a wall and a staircase to the second floor. But there is no light source coming from the wall or the staircase, giving the impression that the basement was filmed on a separate set.

THGhost

Prophecy Girl - S1-E12

Deliberate mistake: When Willow and Jenny go out to the parking lot only to discover vampires converging on the school, pay attention to the extras. You can make out some of the same extras in different shots coming from different directions. (Most notably, you can see a woman in a long black-and-white skirt coming from the direction of the parking lot, then a few shots later, she's suddenly over in the football field coming from there.) They obviously reused extras in different shots to "pad out" the crowds.

TedStixon

Prophecy Girl - S1-E12

Continuity mistake: When Giles and Jenny are talking about Buffy, Giles says "We must get in touch with this Brother Luca chap!" watch Giles. In the first shot he's still reaching towards the top of the cabinet. Instantly in the next shot, he's in the middle pulling something down from the top of the cabinet.

TedStixon

Prophecy Girl - S1-E12

Continuity mistake: When Buffy is consoling Willow after she discovered the dead students, as Buffy leaves the room, Willow's mouth is open and she looks down. It then cuts to a wideshot. Instantly, Willow's mouth is closed and she's staring forward, and she looks down a second time.

TedStixon

Prophecy Girl - S1-E12

Visible crew/equipment: When Buffy meets Giles in the library after the opening credits, and they start talking, throughout the scene, you can see set lights and reflectors reflected in Giles' glasses multiple times. This happens often throughout the series, but is particularly noticeable here.

TedStixon

Prophecy Girl - S1-E12

Continuity mistake: In the beginning, when Xander is practicing asking Buffy out with Willow, at once point Willow puts one of her snacks (candies, I think) into her mouth and starts chewing in a medium/wide profile shot of the two. It then cuts to a closeup of her and instantly she's no longer chewing, and immediately places a second candy in her mouth. She didn't have time to stop chewing and swallow between cuts.

TedStixon

Touched - S7-E20

Spike: You listen to me. [Kneels in front of her.] I've been alive a bit longer than you, and dead a lot longer than that. I've seen things you couldn't imagine, and done things I prefer you didn't. I don't exactly have a reputation for being a thinker. I follow my blood, which doesn't exactly rush in the direction of my brain. So I make a lot of mistakes, a lot of wrong bloody calls. A hundred plus years, and there's only one thing I've ever been sure of: you. [Buffy looks away; he reaches toward her face.] Hey, look at me. I'm not asking you for anything. When I say, "I love you, " it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman. You're the one, Buffy.
Buffy: [Quietly.] I don't wanna be the one.

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Answer: She has superpowers, ergo fast movement. The reason she outruns him so easily in "Touched" is that she stops trying to actually fight him and just dodges instead.

Shay

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