Buffy The Vampire Slayer

Nightmares - S1-E10

Continuity mistake: In the beginning dream sequence, when Buffy is surprised by the Master and backs up into the wall, watch her two pigtails. As the scene cuts back and forth between Buffy and the Master, her pigtails move from behind her shoulders to in front of her shoulders and back several times. First they're both behind her shoulders, then only one is behind, then both are in front, then one moves back behind again, etc. Obviously multiple different takes were cut together in editing.

TedStixon

Teacher's Pet - S1-E4

Continuity mistake: When Xander chugs the martini Miss French gave him, the way he's holding the martini glass changes instantly between cuts. First he's holding it by the top, then he's holding it by the stem, then he's holding it by the top again.

TedStixon

Angel - S1-E7

Continuity mistake: When Buffy and Angel get to Buffy's house at the beginning, Buffy starts to use a first-aid kit to patch up Angel's wound. Angel's arm goes from down by his side to up on Buffy's shoulder between cuts. (It can be hard to see since it's close to the bottom of the frame, but it's noticeable. It seems like they cut out a few seconds to quicken the pace.) She's also a little bit closer to Angel between the same cut.

TedStixon

Never Kill A Boy On The First Date - S1-E5

Continuity mistake: When the Scoobys are in the cafeteria in the beginning, Xander asks what the "green stuff" is in a wideshot, and it cuts to a closeup of Buffy. In both shots, you can see two extras in the background doing the exact same thing twice - walking from screen-left to screen-right, while one of them distinctly lifts their tray up for a moment. The extras were probably just told to repeat the same actions in different takes to populate the background, leading to this odd mistake.

TedStixon

Angel - S1-E7

Continuity mistake: After Giles closes the library for "filing, " we see Buffy grab a crossbow off a shelf. It is upside down when she grabs it. Instantly between cuts, it is right side up. You can tell from the grip thingy that sticks out from it. (It looks like she starts to rotate it in the first shot, but it's instantaneously flipped over in the next).

TedStixon

Angel - S1-E7

Audio problem: At the beginning of the episode at the Bronze, when Buffy gets up to go and Willow tries to get Buffy to stay, Xander suggests they can dance. But his mouth movements don't match the words when he says "Eh, yeah, it's early..." (His head is turned away from camera, but you can see the side of his mouth, and he's saying something else).

TedStixon

Never Kill A Boy On The First Date - S1-E5

Continuity mistake: When Borba reawakens at the funeral home and says "I have been judged, " you can sort-of see Owen reflected in the glass in front of him, and Owen's face looks totally blank. When it cuts to Owen, Xander and Willow (right before the commercial break happens), Owen suddenly has a shocked expression on his face.

TedStixon

Never Kill A Boy On The First Date - S1-E5

Deliberate mistake: When Buffy and Giles are searching the funeral home, we see three shots of Buffy and Giles opening up different mortuary-cabinet doors, shot from the point of view of the cabinet. The problem? You can tell they're opening and closing the same door over and over again. The background is exactly the same, and all they've done is slightly re-arrange the stuff behind them, and had the actors come in from different angles to create the illusion they're opening different doors. It's SUPER obvious.

TedStixon

Never Kill A Boy On The First Date - S1-E5

Continuity mistake: The second time we see the van going to Sunnydale, the creepy guy is delivering a weird sermon. At one point, we see him reflected in the driver's mirror, and he is gesturing with his right hand, which is up around his abdomen/chest area. It then cuts and suddenly his hand is down by his side.

TedStixon

Never Kill A Boy On The First Date - S1-E5

Continuity mistake: The second time we see the van going towards Sunnydale, the creepy religious zealot guy puts his arm on the seat behind the mother and child. It then cuts to a closeup of them, and we cannot see the creep's arm behind them. It cuts back to a wideshot, and suddenly his arm is behind them again.

TedStixon

Touched - S7-E20

Spike: You listen to me. [Kneels in front of her.] I've been alive a bit longer than you, and dead a lot longer than that. I've seen things you couldn't imagine, and done things I prefer you didn't. I don't exactly have a reputation for being a thinker. I follow my blood, which doesn't exactly rush in the direction of my brain. So I make a lot of mistakes, a lot of wrong bloody calls. A hundred plus years, and there's only one thing I've ever been sure of: you. [Buffy looks away; he reaches toward her face.] Hey, look at me. I'm not asking you for anything. When I say, "I love you, " it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman. You're the one, Buffy.
Buffy: [Quietly.] I don't wanna be the one.

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Question: Can someone please explain how exactly a Watcher knows who the chosen one is? In the season 2 episode "What's my line" Kendra explains that her parents gave her away to her watcher when she was young because they believed it would be best for her. How did they know about the slayer mythos and how did they know Kendra could be one? I always thought that when a new slayer is born it could be anyone; and that was no discernible factor in who would be the next one to become the slayer.

Azureth

Chosen answer: From what we see in the series, certain girls are identifiable as potential Slayers - Kendra clearly fell into this category. The identification method is presumably mystical in nature, but the Watchers' Council are pretty effective at that sort of thing, so they're quite good at tracking down the potentials ahead of time. Not perfect, though - it does appear that Buffy herself may have slipped through the net - certainly she had no inkling of what she was until she'd already taken on the role of Slayer. It is possible, however, that this was actually cultural - an American family would hardly be likely to turn over their daughter to some strange man for 'training', so the Watchers might have chosen to keep an eye on her covertly, whereas some other cultures (like Kendra's Jamaican parents) might be more willing to believe.

Tailkinker

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