Buffy The Vampire Slayer

Intervention - S5-E18

Continuity mistake: Huge continuity gaffe. When Anya and Xander see Spike and the robot in the graveyard it is nightime. Xander goes back to speak to Spike almost immediately and sees Glory's followers kidnapping him. He wakes goes back to Buffy's house and from there they, again almost immediately, go looking for Glory's house - and it is the broadest of broad daylight. You could see it was still night before they left through the windows of the house. It also begs the question of how they got Spike from Glory's house back to his crypt in the sunlight since they had no blanket. (00:26:20 - 00:28:50)

The Killer In Me - S7-E13

Continuity mistake: Spike tells Buffy about drugs The Initiative would give him when his chip started firing after he was first captured. This is wrong in two ways: firstly, we saw most of Spike's time in captivity, and he escaped before they could drug him, and secondly, he didn't even know he had a chip until he escaped and tried to kill Willow.

Shay

Tabula Rasa - S6-E8

Continuity mistake: When Buffy and Dawn are discussing Buffy's new name choice Dawn's hair changes repeatedly between shots. First it's over her shoulders, then behind, she has a clip in one shot, then she doesn't.

The Wish - S3-E9

Continuity mistake: In the episode 'The Wish', when Xander stakes Angel he is thrown to Buffy's left, away from the machine. Seconds later as Buffy walks forward it cuts to a shot of Xander fighting to her right, on the other side of the machine. (00:41:25)

Buffy The Vampire Slayer mistake picture

Lover's Walk - S3-E8

Continuity mistake: In the episode Lover's Walk, when Spike is threatening Willow at the factory, in the long shots Willow's hair is up over her face, and in the close-ups it isn't. The pointed bit of the bottle is at the top or bottom in different shots too. (00:19:20)

Amends - S3-E10

Continuity mistake: During season 7 we are told several times that the First cannot take corporeal form, ie. it cannot touch things. However, in its first appearance in the season 3 episode 'Amends', when it manifests as Jenny Calender and runs its fingers through Angel's hair you can see his hair moving underneath her fingers. It wouldn't be able to do this if it weren't corporeal. (00:15:50)

Shay

The Freshman - S4-E1

Continuity mistake: When Buffy is fighting the vampires at the end of the episode, she grabs a tennis racket and smashes the brunette vampire over the head. She falls over the back of the couch and we hear the thud of her landing, however in the wide shot of the couch the vampire has just started to go over the back.

Chosen - S7-E22

Continuity mistake: When Buffy has told the Scoobies her plan about going down into the Hellmouth, Willow starts talking about how it's beyond anything she's ever done. As she says this she is looking in Buffy's direction, but as she continues and the camera cuts away, her reflection can be seen in a nearby mirror - she is suddenly looking straight ahead of her and then turns to look in Giles' direction. She is then suddenly looking back in Buffy's direction as the camera cuts back to her.

THGhost

Bargaining (1) - S6-E1

Continuity mistake: When the Buffybot is at the parent teacher day and she is looking at the student model of a Utopian city, the hover cars are moving around the model on a wire. But when the shot changes, the cars aren't moving. Then in the next shot, they're moving again.

Inca Mummy Girl - S2-E4

Continuity mistake: When Buffy opened the trunk for the first time, the corpse of the real Ampata is lying with its head to the right of the trunk. When she opens it the second time, the corpse is lying with its head on the other side.

Issabee

Goodbye Iowa - S4-E14

Continuity mistake: When Buffy is talking to Riley, she puts the scarf on her head, on his hand. He talks to her and says "Maybe I am the bad guy," and in the next frame her scarf is back on her head again, then off again in the next frame. (00:24:20)

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Touched - S7-E20

Spike: You listen to me. [Kneels in front of her.] I've been alive a bit longer than you, and dead a lot longer than that. I've seen things you couldn't imagine, and done things I prefer you didn't. I don't exactly have a reputation for being a thinker. I follow my blood, which doesn't exactly rush in the direction of my brain. So I make a lot of mistakes, a lot of wrong bloody calls. A hundred plus years, and there's only one thing I've ever been sure of: you. [Buffy looks away; he reaches toward her face.] Hey, look at me. I'm not asking you for anything. When I say, "I love you, " it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman. You're the one, Buffy.
Buffy: [Quietly.] I don't wanna be the one.

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The Yoko Factor (1) - S4-E20

Question: At the last moment before leaving for good, Angel pauses to tell Buffy "I don't like him" [Riley], to which she replies with a large smile "Thank you." Why does she take this comment surprisingly well? From an ex boyfriend to her new boyfriend? It's not like it sounds like a friendly warning of any sort, nor a joke given the tense situation between the two guys in the episode. And the smile on Buffy's face does not make her response look ironic either, more like loving/caring. Is that a cross over reference to another dialogue in the Angel series?

AnthonyA

Chosen answer: Angel is saying that he is still jealous and Buffy recognizes that this is his way of saying he wishes that they could be together. That is why they both smile.

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