Visible crew/equipment: When Squad 51 is en route to the car salesman who was bitten by a tiger, just before the squad turns into the car lot, the reflection of the filming vehicle is visible in the squad's spotlight.
Visible crew/equipment: After Station 51 rescues the novelist from his attempted suicide, when John accompanies the stretcher into the ER, the outlines of the mic transmitter and wire are visible on the back of his shirt.
Visible crew/equipment: When John and Roy tackle the hallucinating veteran, the outlines of the mic transmitter and wire are visible on the back of Johnny's shirt. As an aside, this scene was shot right outside Universal Studios, note the Black Tower/MCA Tower (which houses Universal's execs) when John tells the veteran that it's not a trick and to calm down.
Visible crew/equipment: When Roy and Johnny are with the guy who skateboarded and fell into the cactus bush, the outline of the mic transmitter is visible on Johnny's right side.
Visible crew/equipment: Just after Herbert leaves the station in the morning, dispatch sounds the alarms, and when Roy and John are in the squad while the dispatcher begins talking, there are nice reflections of the camera, reflector screen (in the background), and crew members/cameraman who move around, that are visible on the surface of the spotlight. Additionally, the shadow of the boom/mic is perfectly visible on the windshield as it moves down.
Visible crew/equipment: After Squad 51 responds to the 'man unconscious' at the laundromat, while they're en route, when Engine 36 contacts them that the man is in full arrest, the reflection of the vehicle with the camera is visible on the spotlight.
Visible crew/equipment: After Chet tells the guys that they have to get rid of The Mouse, when he says "You don't understand, these things are like rabbits," the moving shadow of equipment, probably the boom mic, is visible on the top cabinet behind Chet.
Visible crew/equipment: After the guys decide to eat lunch before resuming their CPR practice, when Chet picks up the CPR mannequin and walks toward the fridge, the top of the set is visible at the corner, between the fridge and the stove. We can see the top of the set again later, after Chet picks the losing matchstick and has to set the mousetrap himself.
Visible crew/equipment: When the guys are at the gas station with the broken pump nozzle, after Marco and the stretcher are loaded onto the ambulance, the reflection of the location array lighting can be seen on the back of the ambulance, when Johnny shuts its doors.
Visible crew/equipment: After the hypothermic victim is rescued from the ice house, just as the attendants wheel the stretcher into the ER, at the end of the hallway, the top of the set is visible where the ceiling should be.
Visible crew/equipment: While Roy is hanging off the side of the building with the second victim, Johnny's trying to tie off the swaying sign, then after he asks for some slack the second time, there's an overhead shot from the roof, and we can see the shadow of the camera and a bit of a crew member, at the bottom of the screen. Then a few shots later, from the same POV, we still see the camera's shadow, and we also see the leg of a crew member (white sneaker and dark pants) walk into the shot and back out, at the left of the screen.
Visible crew/equipment: When Roy and Johnny are with the man who was injured by a gunshot, Johnny goes across the street to treat the stabbing victim, and just as Johnny and the others enter the living room, the shadow of the moving boom is visible on the wall to the right.
Visible crew/equipment: At the scene of the traffic accident, when the injured driver starts shouting just before they load the stretcher onto the ambulance, a ducking crew member's head dips into view at the bottom, right corner of the screen.
Visible crew/equipment: After John is punched in the nose at the scene of the traffic accident, when the ambulance arrives the reflection of set lighting is visible on the surface of the ambulance.
Visible crew/equipment: After Station 51 is dispatched to the plane in trouble, just as Engine 51 makes the right turn into the lot, before they park beside the squad, a crew member's/cameraman's sleeve gets into the shot, at the left of the screen.
Visible crew/equipment: When Johnny and Roy are at the top of the open drawbridge, beside the car hanging over the edge, just after Roy says "Be careful, this could go at any minute," the moving shadows of the cameraman and another crew member are visible on the bridge surface. That shadow is visible in two other previous shots from the same angle.
Visible crew/equipment: After Station 51 is dispatched to the bomb threat, when the squad and engine pull into the alley, just as Roy stops the squad, the reflection of the cameraman/camera are visible in the spotlight's chrome surface.
Visible crew/equipment: When Station 51 is dispatched to a man trapped at World Picture Studios, just after they pass the studio's gate, in the moving shot from the left side of Squad 51, the reflection of the cameraman is visible on the lightbar atop the squad's roof.
Visible crew/equipment: After the fake eye exam 51's guys are sitting around the kitchen table, and when Chet tells them that he was sitting in the front row at the movies, there are moving shadows at the bottom, right corner of the screen, which do not belong to the guys.
Visible crew/equipment: When Roy and Johnny enter stage 3 to search for both Vic and the bear, just after Johnny and Roy split up, as the camera moves forward in Johnny's direction, the moving shadow of the cameraman/camera are visible on the filing drawers, to the left.
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