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Wingman - S1-E7

Continuity mistake: During the cop's speech at the station he turns with his hands open wide and spots Dan and Chloe. Camera changes and his hands are by his side. Camera changes again and now they are spread wide again. (00:35:30)

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Wingman - S1-E7

Continuity mistake: When Chloe is looking at the crime scene photo's in her apartment, a yellow post it note appears on the photo in her hand between the long and overhead shots. (00:05:20)

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Wingman - S1-E7

Continuity mistake: When Lucifer walks in on Chloe looking at the crime scene photo's, the way Chloe holds the picture in her left hand changes. It goes from the very corner of the picture to along the bottom of the picture. (00:05:20)

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Favorite Son - S1-E6

Visible crew/equipment: When Linda and Lucifer are having a discussion at the end, a light screen is reflected in Linda's glasses. (00:39:10)

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Favorite Son - S1-E6

Continuity mistake: The way Trixie grabs the chocolate cake differs from raising her hand up to Dan and just holding it out in another shot. (00:37:20)

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Favorite Son - S1-E6

Continuity mistake: When Dan hands Trixie the chocolate cake, he holds it with 1 hand then two depending on the camera angles. (00:37:20)

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Favorite Son - S1-E6

Continuity mistake: Near the end, as Lucifer is bearing down on the biker asking who took his wings, the Biker stumbles and has both hands behind him. When the shot changes his left hand is raised. (00:33:40)

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Favorite Son - S1-E6

Revealing mistake: When Lucifer takes off in Chloe's car during the stakeout, tyre marks are visible in the gravel from previous takes. (00:32:10)

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Favorite Son - S1-E6

Continuity mistake: When Lucifer is about to leave Linda's office she stops him and raises her hand in front of her chest. When the shot changes, her hands are not visible even though they should be. (00:17:40)

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Favorite Son - S1-E6

Revealing mistake: When Lucifer is going through the forensics bag next to the dead body at the start, the body of the victim can be seen breathing. (00:07:30)

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Favorite Son - S1-E6

Continuity mistake: When Lucifer meets with Chloe for the first time, Chloe has her arms by her side in one shot and on her hips in the next. (00:06:50)

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Favorite Son - S1-E6

Continuity mistake: At the start when the security guard is attacked, the number of papers thrown about changes from 5+ to 3. (00:02:40)

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Sweet Kicks - S1-E5

Continuity mistake: At the end, Lucifer throws Benny through the painting and you can see he's not in the painting itself, he's gone right through. When the shot changes however, Benny is back in the middle of the picture. (00:36:40)

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Sweet Kicks - S1-E5

Visible crew/equipment: When sitting down in The Paddock Bar, the man next to Lucifer is wearing glasses that reflect a light screen. (00:12:30)

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Sweet Kicks - S1-E5

Continuity mistake: When Chloe and Lucifer get in the car to go to a bar, the car's position in the alleyway changes from the street level shot and the overhead shot. Note the position in relation to the plant by the side of the car. (00:12:10)

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Sweet Kicks - S1-E5

Character mistake: Benny tells Lucifer he's an ex-marine. I beleive it's the case that US Marines never refer to themselves as an ex-marine, with the quote often used as being "once a marine, always a marine" (00:09:20)

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Manly Whatnots - S1-E4

Continuity mistake: At the start when Trixie comes running in to give Lucifer a hug, Lucifer has got a jar in his hand. As the shot changes to him actually being hugged, the jar simply vanishes from his hand. (00:03:05)

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Manly Whatnots - S1-E4

Continuity mistake: When Lucifer tells Carver that "This woman [Chloe] won't have sex with me!" Chloe's reaction changes from the close to long shots. Note her mouth. (00:14:50)

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Manly Whatnots - S1-E4

Visible crew/equipment: When Chloe shuts the door on Dan, a stage light is reflected in the glass of the door. (00:04:10)

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Manly Whatnots - S1-E4

Continuity mistake: At the end of the kitchen scene, Dan turns to tell Chloe he is disappointed in her. When he does this, in the shot from behind Chloe looking at Dan, Chloe has her hand on the door frame at head height and is leaning against her hand. When the shot changes to behind Dan looking at Chloe her hand and head have moved instantly with no time to do so. (00:04:00)

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