Other mistake: The first time the cops come to the house, Connie and her son see them from the upstairs window, and start walking downstairs. It then cuts to the cops in the living room looking around, and Connie walks in and introduces herself. Her husband is not home, so did the cops just walk into in the house without knocking?
Continuity mistake: When Connie goes to the back to meet Paul in the coffee shop, there is a shopping bag in the chair next to Sally. The shot goes between her and the other two ladies talking. When the ladies at the table are taking about her getting work, there is nothing in the chair beside Sally. When the shot goes back to Connie coming back to sit down, the shopping bag is back in the chair.
Connie Sumner: I think this was a mistake.
Paul: There is no such thing as a mistake. There are things you do, and things you don't do.
Tracy: Having an affair is nothing like taking a pottery class.
Sally: Could be.
Tracy: No. It would start out like that, and then, um, something would happen. Someone, uh, finds out, or someone falls in love, and it ends disastrously. It always ends disastrously.
Question: The final scene in the car at the red light in front of the Police station. They are discussing escaping to Mexico for the rest of their lives. They hold each other. The car doesn't move. Do they give themselves up to the police? Is that what the writer is implying?
Question: In the final scene of the film Richard Gere and Diane Lane have their SUV stopped at a traffic light, and I've noticed that there's a police station directly to their right. This could have very well been a coincidence, but maybe it's not? Does anyone know if it signifies anything pertaining to the plot, for example, the dilemma of Richard Gere turning himself in vs. their decision to flee the country?
Question: When Edward was talking to Paul, and he was sitting on the bed and said he didn't feel well and was dizzy and looked at him (conveyed a blurry vision) and he then got up and hit him, was Edward drugged by Paul?
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