Unfaithful

Continuity mistake: At the beginning the wind is blowing very hard and Richard Gere and his son are having problems getting outside. Two seconds later, when Diane Lane is looking at them through the window, there is no wind.

Other mistake: The first time the cops come to the house, Connie and her son see them from the upstairs window, and start walking downstairs. It then cuts to the cops in the living room looking around, and Connie walks in and introduces herself. Her husband is not home, so did the cops just walk into in the house without knocking?

Continuity mistake: When Connie goes to the back to meet Paul in the coffee shop, there is a shopping bag in the chair next to Sally. The shot goes between her and the other two ladies talking. When the ladies at the table are taking about her getting work, there is nothing in the chair beside Sally. When the shot goes back to Connie coming back to sit down, the shopping bag is back in the chair.

Packergirl
More mistakes in Unfaithful

Connie Sumner: Edward... did you hurt him? You did, didn't you? Jesus, Edward. Talk to me. Tell me what you did.
Edward Sumner: No. You tell me what you did.

Connie Sumner: I think this was a mistake.
Paul: There is no such thing as a mistake. There are things you do, and things you don't do.

Tracy: Having an affair is nothing like taking a pottery class.
Sally: Could be.
Tracy: No. It would start out like that, and then, um, something would happen. Someone, uh, finds out, or someone falls in love, and it ends disastrously. It always ends disastrously.

More quotes from Unfaithful

Question: In the final scene of the film Richard Gere and Diane Lane have their SUV stopped at a traffic light, and I've noticed that there's a police station directly to their right. This could have very well been a coincidence, but maybe it's not? Does anyone know if it signifies anything pertaining to the plot, for example, the dilemma of Richard Gere turning himself in vs. their decision to flee the country?

Answer: That's exactly what it is meant to portray. If I remember correctly, the SUV's left turn signal is on as well, which only reinforces that idea that they have a choice to make. Right, turn himself in, left, flee the country.

Guy

Question: What is the significance (if any) of the symbol Paul drew on Connie's body?

Answer: There is no significance, the script just says it is a "little doodle".

Sierra1 Premium member

Question: The final scene in the car at the red light in front of the Police station. They are discussing escaping to Mexico for the rest of their lives. They hold each other. The car doesn't move. Do they give themselves up to the police? Is that what the writer is implying?

Answer: Connie wants to say she is guilty and asks her husband to forgive her.

Answer: Although Connie wanted them to go to Mexico and assume new identities, it is implied that Edward, who initially goes along with that idea, will likely turn himself into the police. However, there's no definitive ending given, so the audience is left to interpret the outcome.

raywest Premium member

An alternative ending was shot in which Edward says goodbye to Connie in the car and walks into the police station. The director discusses this on the commentary track. The alternate ending is on the DVD.

More questions & answers from Unfaithful

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