Continuity mistake: When Indy sees Elsa losing her grip on the tilted earth and then falling on the rising ground during the temple quake sequence towards the end of the film, he lets go of his father, but when the camera changes to behind Elsa in the next shot, Indy is back holding his father again.
Continuity mistake: After young Indy escapes from the lion, when he's on the rooftop of the carriage a bad guy aims a gun at him. A shot later his arm is already lowered.
Continuity mistake: On the ship near the beginning, after Indy drops the cross, water comes up and washes it towards the edge of the ship. It goes over a lip on the deck, inches away from falling over the side. However, when Indy goes to grab it, it's not over the lip. It's half on and half off.
Continuity mistake: When Elsa picks up the Holy Grail and tries to remove it from the Temple, Henry places his tie around the collar of his shirt, but in the next shot, he is now holding on the tie and places it around the collar a second time.
Continuity mistake: When Elsa says "How dare you kiss me!" and starts kissing Indy, her hand is under Indy's ear, but when the camera angle changes to behind her in the next shot, her hand is now pressing his ear.
Visible crew/equipment: At the hotel where Indy knocks on Elsa's bathroom door, she opens it and shuts the music off. The camera pulls backward and its shadow is visible on the left side of the door frame. It's fairly large.
Continuity mistake: During the boat chase in Venice, one of the boats blows up. A small piece of it with a motor comes flying out. In the next shot which is a wide shot, that piece of boat is gone.
Continuity mistake: The tank turret is at a completely different angle when it shoots at Jones when riding his horse.
Continuity mistake: Indy brings the carbon copy to Markus who says "The name of the city is Alexandreta", and a close-up shows the paper with no hands on it; a shot later Marcus' hand is on the paper.
Continuity mistake: The holes produced by the rhino's horn on the roof of the train carriage disappear in the wide shot when young Indy grabs onto the swinging pole.
Continuity mistake: When young Indy fights a baddie, the rhino sticks his horn through the roof and the baddie is pushed to the right. When the angle changes he is falling on the opposite side.
Continuity mistake: When young Indy confronts the lion, the way the whip is rolled changes between shots. The second time a small loop appears.
Continuity mistake: During the rhino scene, the roof of the carriage swaps from dark grey to blue before the rhino's horn goes through the roof.
Continuity mistake: When young Indy falls on the rhino carriage, there's two banners whipping by each of his legs. When the angle changes (to an obvious chroma background) the banner on the right is gone.
Continuity mistake: When young Indy breaks the lion's carriage ceiling and falls inside, a wooden plank falls on his stomach. When the angle changes the plank is gone.
Continuity mistake: When the movie beings, the Boy Scouts at the end of the row dismount the horses, then the angle changes and they dismount the horses again.
Revealing mistake: When Marcus Brody is knocked out in the library, he is dragged away by two of the assailants. You can see the unconscious Brody give his right hand to the assailant.
Continuity mistake: When the brotherhood member aims his gun at Elsa whilst she is driving in the boat, Elsa ducks downwards to avoid the shot, but in the next angle, she is sitting upright.
Other mistake: During the airplane chase Indy is seen firing his revolver at the German planes, after he crash-lands he pulls his revolver and breaks open the action to check if he's got any ammo left. He doesn't, but the issue is that a revolver doesn't eject spent shell casings, and there aren't any empty casings in his revolver, despite him firing his gun earlier and having no chance to empty the casings since.
Other mistake: After getting on aboard the dirigible, Henry is holding a German newspaper when addressing Indy. But he'd have a hard time reading it as it's upside down. Even if he's just trying to hide, holding an upside-down newspaper would draw the attention of suspicious guards.
Suggested correction: Henry Jones Sr. doesn't have his glasses in this scene. He can't really see anything on the newspaper, that's why he is holding it upside down.
I'd say that, more than anything, a hasty attempt to blend in would be more likely the culprit. Even without the spectacles, Henry, being the fastidious person he is, would have righted the paper, with or without eyewear.
But since he couldn't see the letters, how would he have righted the newspaper (or even noticed it was upside down)?
Ipon! (Japanese for "point.") I can see your point; however, I would ask that the following be considered: that there is usually more than just letters and words in newsprint. Even if not viewed, pictures are good indicators of the newspaper's orientation.
