U.S. Marshals

Visible crew/equipment: When the dark car is backing up to park at the entrance of the cemetery and keep watch, you can clearly see the cameraman in the reflection of the right side rear window. (01:23:25)

Visible crew/equipment: When Gerard, Royce, Newman, and Cosmo follow Chin(the Chinese guy) who's in a taxi, watch closely when they stop. In the shot of them getting out of the SUV you can clearly see the reflection of the filming crew in the door. (01:19:50)

Visible crew/equipment: At the end of Maria's interrogation scene at her apartment, as she shuts the wooden door you can clearly see the reflection of the cameraman in her diamond-shaped window. He's the one wearing the gold watch. (01:02:00)

Visible crew/equipment: In a scene where Joe Pantoliano's character is inside a SUV waiting for the signal to follow a suspect, when he opens the door of the SUV, in its reflection you can see the cameraman and the soundman.

Continuity mistake: In the scene at the cemetery, Snipe's girlfriend arrives in a 1995-1997 model black Lincoln Town Car. When they begin to escape the cemetery & the back window is shot out, that car is a 1990-1994 model Lincoln Town Car. As the car speeds through the cemetery it returns to a 1995-1997 model. When it then crashes with the Suburban at the cemetery entrance it has once again turned into a 1990-1994 model.

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Sam Gerard: Get the tapes from the U.N. surveillance.
John Royce: I don't think we have clearance for those.
Sam Gerard: Get the clearance, get the tapes, don't tell me what we can't do.

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Question: In a scene of the film there are some expressionist portraits in a house. I would like to know who is the artist. Does anyone know?

beatrizdiaz55

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