Best thriller movie visible crew/equipment of all time
Visible crew/equipment: During the scene where Neo is talking to Agent Smith in the park area where Neo was talking to the Oracle, there is a close-up on Agent Smith's face. In his sunglasses you can see a bright white screen to reflect the light onto the faces of the actors. This isn't visible in any non-reflected angles. You can also see the cameraman on the other side.
Visible crew/equipment: When Spider-Man is rescuing Mary Jane from falling to her death from the balcony, he catches her and spins his web to the balcony to save her and they bungie to just inches from the ground. As they are preparing to bounce back up the shot rotates 90 degrees and you can see the counter weight that pulls them back up coming down to the ground. It's a weird one, this - there's a sound effect as the weight comes into view, so it's meant to be there (or else the sound's just a cover), but it can't be anything he attached his web to, as it was stuck straight onto the balcony. If it's falling, they should be too - his web's not pivoting around anything.
Visible crew/equipment: In the first scene of the Christmas party when Takagi steps out of one the offices and greets a couple of his guests, the camera pans left to show the orchestra and other guests. A huge shadow of the camera and its operator is being shown on the back wall, then the stage light gets moved to light a different area and the shadow is gone.
Visible crew/equipment: In the scene where John, Sarah, and The Terminator are in the Cyberdyne building. They have just come down in the lift into the lobby where the SWAT team are waiting and firing gas cylinders. Arnie says his "I'll Be Back" and walks out of the lift. The SWAT team issue various instructions, then say "Ok - drop him!". Now - look carefully. The second they start to fire, look at the SWAT member who is furthest to the left and standing up. If you look right by his shoulder as soon as they start firing, what looks like a crew member walks into the scene, with his hands in his pockets!
Visible crew/equipment: When Officer Romero and Arthur are alone in the house, handcuffed to the brass shelving unit, as she says, "Help me or I will crush you like a damn bug," a crewmember wearing glasses and a blue shirt is seen crouching on the floor, at the bottom right of the screen.
Visible crew/equipment: When Melissa dodges the truck that has fallen from sky and Dusty rushes to open a door and help Melissa get out of the truck, the reflection of a camera is seen in the bottom right corner of the truck window. As they move out and pan to the right, you can see a reflection of the same camera and cameraman at the bottom right corner of the truck door as they move away.
Visible crew/equipment: In Mary Ann's kitchen, just as Ray comments, "Ok, well you hungry? I'll get you some food," the clear reflection of a male crewmember moving around is visible in the glass window behind Ray. Then just as he says, "This is ketchup and mustard," another older male crewmember is visible directly in front of Rachel's reflection.
Visible crew/equipment: When moving into their apartment Patrick Swazye kicks the statue to make it swing so they can get it inside. As they are looking at the statue, two moving men cross in back of them carring a mirror and as they pass you can see the director and camera crew in the reflection.
Visible crew/equipment: Right after the race car goes over the bridge the scene changes to the Angels' HQ & there is a close-up of the TV screen that they are watching. As the camera zooms out you can very clearly see the reflection in the TV of the cameraman backing away from the screen with his eye to camera.
Visible crew/equipment: Watch carefully the scene where the raptors enter the kitchen (that angle where you can see almost the whole kitchen while raptors are coming in from the far away door). As the first raptor enters the kitchen, you can see someone grabbing its tail to hold the puppet-thing steady.
Visible crew/equipment: In a scene not too long after Tom Cruise attempts to revive a hooker who has OD'd, he is speaking with an older gentleman. The three are in a bathroom and the hooker is passed out on a chair. One of the shower or light fixtures toward the left of the screen is shiny, and in a shot during which the camera briefly tracks in reverse, you can see the camera, cameraman and the focus puller reflected. It's pretty clear and not all that fast.
Visible crew/equipment: When Carter is fighting Zhang Ziyi, she thrusts a sword into his coat. For a SPLIT SECOND ONLY, there is a shot where a black man is crouched down behind the statue on which Carter is against. You have to pause it quickly in the right place, but he is there looking up at Carter and Zhang Ziyi.
Visible crew/equipment: When the fishermen start out on the hunt, Ben Gardner appears in a close-up leaning on the windshield at forward deck, while talking about how stupid some of the others are. In the next wide shot of the boats, Ben's green boat is towards the left of the screen, and the large reflector screen and camera, that are mounted to the bow of his boat, are visible in front of the forward window where Ben is seen in the previous shot.
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