Best drama movie mistakes of 2006
Continuity mistake: As Dalton stands inside the bank vault staring at the cash, the scene jumps from a wide, distant shot, to medium, to close-in, just outside the cage. Another robber stands just outside and between jumps his gun position shifts from relaxed to raised to relaxed again.
Continuity mistake: Right after Queen Latifah hits her head and is having a fantasy, LL Cool J is unbuttoning his shirt. The scene cuts to Queen Latifah and when it cuts back his shirt is buttoned up and his tie is tied properly. It cuts back to Queen Latifah and back to LL Cool J where his shirt is now once again completely unbuttoned.
Factual error: Louis Simo gives his son an Etch-A-Sketch while taking him to school, and later when Louis stops by to see his son at his ex-wife's house, his son is playing with the Etch-A-Sketch in his bedroom. Both incidents take place in the summer of 1959. George Reeves died June 16, 1959, hence the investigation. The first Etch-A-Sketch toys were produced on July 12, 1960 and Ohio Art launched the toy in the United States in time for the 1960 holiday season.
Continuity mistake: When Madea is in the car coming back from court, Nikki smarts off at her and Madea turns around to hit on her. While this is going on, you hear brakes squealing and the driver is moving the wheel like the car is out of control. Yet, the background never changes, stays level throughout this scene.
Add timeBonita Kilpatrick
Factual error: During the big sacrifice scene an eclipse happens. An eclipse occurs when the moon passes between the earth and the sun. Later, apparently that night, the night mood is set by a shot of a full moon. The moon cannot be full until fourteen days after an eclipse, when it is directly opposite the sun.
Continuity mistake: When Leonidas, and presumably all the other Spartans, use their spears to clear their shields of arrows after the arrow shower from Persian archers, the tips of the arrows are still visibly left on all their shields. In the next shot, when the Spartans regroup for the Persian cavalry charge, the arrow tips are gone. (Granted, this is a highly stylized movie based on a comic book, but that does not change the fact that this is a continuity error.)
Factual error: As the two fast boats start heading up river towards the finale shootout, one boat has its navigation lights reversed. It has a red light on the starboard/right side, and a green light on the port/left side. It should be the other way around. (The lights on the other boat are correct.)
Revealing mistake: When the Bronco is underwater at the end of the movie, Claire's hands are tied to the steering wheel. Doug rips the steering wheel off. Anyone who has worked on cars knows you need a puller to get a steering wheel off. Also, the steering wheel is gone when Claire swims to the surface.
Continuity mistake: When Ryan Reynolds is between the two hospital beds, preparing to pull the plugs, there are three wires he grabs to our left (two white and one black). He yanks all of them out (along with another white one to our right) and no plugs remain in the red outlet cover on the wall. But in close ups, as the other agents are banging on the door, we see the lone black wire is still plugged in.
Plot hole: Julia dies in the underwater escape trick tank because the axe couldn't get her out in time. However, if she was able to open the lid from inside the tank, get up, over, and down, then close the lid (all quickly, silently, and without assistance) when the trick goes properly, then there is no reason that the four men standing around could not have simply lifted the lid, either acting a key in the fake padlock to preserve the trick, or using a key if it's real. At this point she could have gotten her head above water and draped her hands over the side of the tank to stay up. That done, the crisis is over, and she must only wait to calm down enough to get herself down, or be assisted. Cutter built the tank, so he knew how strong the glass was. The only explanation for using the axe was to allow Julia's death, thus advancing the plot.