Visible crew/equipment: When moving into their apartment Patrick Swazye kicks the statue to make it swing so they can get it inside. As they are looking at the statue, two moving men cross in back of them carring a mirror and as they pass you can see the director and camera crew in the reflection.
Visible crew/equipment: When Sarah is fighting with Garcia in her home, for a brief moment 2 crew members are seen, one in white shirt and beige pants (looks like director Clint Eastwood) and the other wearing a blue shirt and dark pants. (01:24:15)
Visible crew/equipment: When the crazy woman who said that Edward comes from hell leaves the backyard, you can see the reflection of a crewmember on the left side of the window.
Visible crew/equipment: In the scene were the adults go back into the sewer, and they have the feeling: "Something is coming", you can see the shadow of the cameraman, twice. One time, coming closer from a pipe, and another time, moving away. Look on the right wall/right on the floor.
Visible crew/equipment: As Nikita is dragged from the courtroom by the police, she rolls around. You can see that a pad has been taped to her lower back for protection. (00:11:45)
Visible crew/equipment: In the shot in April's apartment where Leonardo and Raphael are arguing about how they should look for Splinter and the Foot, a crew member with an orange hat can be seen ducking behind the table on the left. (00:38:00)
Visible crew/equipment: When a carload of bad guys drives past the front of Seagal's sister's house and riddles the front of the house with machine-gun fire, Seagal quickly slams the front door shut, and you can very clearly see all the stunt charges attached to the door.
Visible crew/equipment: After Henry pistol-whips his neighbour he goes to Karen's home. She opens a glass door and a boom mike, set lights and crew are reflected on it.
Visible crew/equipment: When Becker is shot while eating a sandwich and watching TV, the leads to his gunshot squib can be seen coming out of the bottom of his trouser leg as he reels back from the impact of the blast.
Visible crew/equipment: Early in the movie we see Edward on the phone talking to Jessica. As Edward says "goodbye Jessica" we can see the reflection of a camera crew member squat down to the floor. This can be seen near Edward's right shoulder.
Visible crew/equipment: In the scene where Joey Zaza is murdered, one of his henchmen gets gunned down with a shotgun. Just before the blast hits him, the side of one of the wooden street stalls magically changes to a breakaway so he can crash through it dramatically, instead of just slumping down against it as he would in reality.
Visible crew/equipment: During the montage of the kid, there is a shot looking in from the front of the car (featuring Dick Tracy and his girlfriend, with the kid in the middle) where the back window is just a blue screen, and the black stage curtains (behind the car) are visible at the top edges of the screen. (00:26:30)
Visible crew/equipment: When Tony and Stephanie are dancing to More Than A Woman, they hold hands, lean back and spin around. As the camera goes around them 360 degrees, it passes some mirrors. In the mirrors you can see the three men pushing the camera around the track. This is clearly visible on the video of the film.
Visible crew/equipment: There is an entire scene done with a full room camera shot, and for the entire scene you can see the boom mic at the top of the screen.
Visible crew/equipment: In the scene where Dan is being attended to by the crew after he has been hit you can clearly see that it is a prosthetic arm that they are holding up and not Dan's.
Visible crew/equipment: In the scene where the Sioux discover the rotting dead buffalo lying in the valley, as they are riding by them, right after they show a Sioux woman crying, in the background you can see a man with dark hair in a white shirt lying on the ground. In the special edition DVD, if you watch this scene with the commentary on you will hear Kevin Costner and Jim Wilson admit that it is an assistant cameraman trying to get out of the scene. (01:49:55)
Visible crew/equipment: When Paul is in the kitchen, he looks at the knives. In the stove is the reflection of a person with a white shirt, but Paul is wearing a red shirt.
Visible crew/equipment: In the dream sequence where Jacob tucks his son Gabe in bed, a crew member is in the mirror, watching on.
Visible crew/equipment: Before Ronnie goes into kill George Cornell as hes getting out of the car look at the side window and you can see a boom mic reflected.
Visible crew/equipment: When Victor Argo is searching for Christopher Walken on the subway car you can see the cameraman reflected in the glass of the last door he opens before shouting to Walken.