Best film noir movie mistakes of all time
Factual error: There's a scene when Barbara Stanwyck hides behind an open door to avoid beeing seen by Edward G.Robinson leaving Fred MacMurray`s apartment. To make this possible the apartment door opens outside into the corridor, which is an elegant solution for this situation in the movie. But in the real world no apartment door would open by swinging into the corridor because this would give a visitor standing there a punch on the nose when the resident opens the door.
Continuity mistake: Several dark marks appear then disappear and then reappear at different times on the Loomis's front door to cabin B. The marks are there during the party when George Loomis storms out and breaks the record, but then they're not there as Marilyn walks back into the room after speaking to the Cutler's.
Continuity mistake: Doc Riedenschneider calls on Cobby in a dark hallway with brick walls and a door in the end with a half-open transom. Through this door, in the adjacent room, there are several gangsters seated a table. They go down the hallway and enter this room. In the next scene they have entered and the seated gangsters are suddenly no longer there. Nor is there a transom over the door. The hallway viewed from this room has white walls now instead of brick.
Continuity mistake: Near the end, Eddie knocks down a thug who tries to stop him from putting Toro into a cab. The man's hat falls off and lands on the concrete. He gets up as the cab drives away, then turns to retrieve the hat, which has now moved itself off the sidewalk and into the bushes.
Add timeJean G
Continuity mistake: In the film's final scenes at the fuel storage facility, full sunlight is streaming through the overhead rafters. Moments later, it's completely dark and the plant's floodlights are all turned on. A few shots further on, the lights are off and it's daylight again.
Add timeJean G
Visible crew/equipment: Towards the end of the fairground scene, as Michael and Ellen are walking to the right, and just before the cop tells them one of the stolen bills has been passed to the dress shop, the shadow of the boom microphone is visible across the brick wall in the background.
Continuity mistake: When Robert Taylor escapes from the asylum, and is driving the second car he steals, the car is shown at least once with windshield wipers pivoting from above the windshield, then shown with the wipers pivoting from below the windshield. Clearly, these are two different cars. I think the studio borrowed wiper footage from the scene in which he is driving the first stolen car, to use at moments in the scene in which he is driving in the second car.