Visible crew/equipment: When the police are leaving the motel, you can see a camera reflection in the S.W.A.T. van as it drives by. (01:18:10)
Visible crew/equipment: When Jim West is hanging by the rains of the horse you can see the rider's boot as Jim West is telling the horses to back up.
Visible crew/equipment: While Lana and her friend are staying at Joel's house, after dinner, Lana goes upstairs to visit Joel in his room to see if he wants to go out for ice-cream. As Lana enters the room, the bedroom door swings open and you can see a crew member's hand catch the doorknob, just before the camera pans to the right.
Visible crew/equipment: During Lilly's sweet 16 party at Santa Monica Pier, when she is skateboarding and catches hold of Drew, in the two shots facing Lilly the reflector screen and boom mic are reflected on the helmet to Drew's left. (00:14:00)
Visible crew/equipment: When Alison and Sidney are walking together on the street after a party, they cross the water and the shadow of the cameraman and the camera itself can be seen on the wall behind them and then again on Alison's face.
Visible crew/equipment: At Robert's apartment, when he and Morgan stand by the window just as Edward takes Giselle's hands and later kneels, the actors' two T-marks are visible. The pink marker was for Giselle in the previous shots, and Robert and Morgan stand behind the orange marker. (Only visible on fullscreen DVD.) (01:09:35)
Visible crew/equipment: After the Peaches are introduced at their first game, they run onto the field. If you watch the background carefully, Rosie O'Donnell clearly trips over a production wire. (00:35:50)
Visible crew/equipment: When Gregorio slams on his brakes the car stops alongside the sidewalk, in front of the private school. In the next shot he calls out, "Juni, Juni!" as Juni stands by the open car door. First, a large boom mic and the reflector screen are wonderfully reflected in the car window, before he closes the door. Then when Juni closes the door, a car is reflected on the door, though it is impossible for it to be there since a gate, which is visible in the following shots, stands at the edge of the sidewalk on the car's left side. Some crew members, one of which is behind camera equipment and another holds the boom mic pole, are also reflected in Gregorio's door on the left. Then as Juni walks away, the boom mic moves back and forth in the reflection near Gregorio's face to pick up the actors' audio. (00:11:05)
Visible crew/equipment: In the scene where Darryl Knable is being sucked toward the satellite dish, you can see a crew member's hands lift him up into the air. (00:33:25)
Visible crew/equipment: When the dad gets in the big accident, as he swerves the truck, you can see a hand reach out and grab him.
Visible crew/equipment: When Bruce goes back to the building toward the end of the movie looking for God and finds it deserted, as he runs through it, you can see the shadow of a figure (a crew member) on one of the columns on the left. It even slightly moves as he's approaching the ladder as if trying to duck away from behind. (01:13:55)
Suggested correction: This is definitely God's shadow. It's exactly where he appears a little later. So it's not a crew member, but a continuity error because Bruce must have seen him when entering the hall.
Visible crew/equipment: When the crazy woman who said that Edward comes from hell leaves the backyard, you can see the reflection of a crewmember on the left side of the window.
Visible crew/equipment: After Leslie Tiller is stabbed with the garden shears, when Nicholas chases after the hooded figure, just as he dives over a table with potted plants the blue crash mat is visible under the table. (Slow motion is not necessary.) (01:07:00)
Visible crew/equipment: When Francesco and 'she' are in the cemetery together and the little blue flame-beings gather around to watch them, you can see the wires they're suspended on several times. This is most apparent when Francesco sees the first one (moments before seeing 'she' at the fountain) and also just before they are all frightened away. (00:17:30 - 00:20:40)
Visible crew/equipment: As Melanie is walking across the battlefield looking for her father she steps across 'dead bodies'. You can see tucked into the top of her left boot the battery pack for her microphone and the wires going up her skirt. (01:08:15)
Visible crew/equipment: In the scene after the huge fight with the Buddists, Jack Nicholson speeds off in his Land Rover and cuts into traffic to get away from the monastary. If you look three cars back there is a state trooper weaving through both lanes to make sure the set is closed. He stays visible throughout the scene. (01:07:35)
Visible crew/equipment: Right as Young Biff starts to chase after Marty through the tunnel, there is a shot of the wheel spinning around, and you can see the camera crew reflected in the hubcap. (01:29:45)
Visible crew/equipment: When Melissa and the hotel manager drive up to the car wash, the camera points at the car as they're getting out. Look at the point where the hood and the side car connect: you should seen either a boom mic or camera.
Visible crew/equipment: When the priest arrives and when he later walks to the house, lighting screens are reflected on his glasses.
Visible crew/equipment: In the scene where the piano collapses, after Madea's chainsaw rampage, you can see the wire that pulls the piano apart.