The Man From U.N.C.L.E.

The Man From U.N.C.L.E. (1964)

4 mistakes in The Pop Art Affair

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The Pop Art Affair - S3-E6

Factual error: Ole and all the Thrush baddies call the missing chemical component a "catalyzer," repeating the term throughout the episode. This was a scriptwriter's error, which only David McCallum, to his credit, corrected: he had Illya say "catalyst," which is what the writer meant. "Catalyzer" isn't a word.

xx:xx:xx

Jean G

The Pop Art Affair - S3-E6

Continuity mistake: The Thrush assassins have an armed golf cart (with a machine gun that handily spews both flames and bullets at the same time). When the cart overturns, the two men fall into a sand trap and tumble several feet away from the vehicle. In the very next shot, they're lying right beside the cart again.

xx:xx:xx

Jean G

The Pop Art Affair - S3-E6

Other mistake: Illya orders an espresso from Fred, the coffee house proprietor, but never pays for it. And Fred doesn't take a bill to his table or speak up when he leaves without paying.

xx:xx:xx

Jean G

The Pop Art Affair - S3-E6

Continuity mistake: Sylvia is carrying her huge "opus" sculpture out of the art gallery. In the next cut, though, we see a full shot of her showing both her hands empty: she's not holding the sculpture. Next shot, she has it back in her hands again.

xx:xx:xx

Jean G

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Quotes

Napoleon Solo: My name is Napoleon Solo. I'm an enforcement agent in Section Two here. That's operations and enforcement.
Illya Kuryakin: I am Illya Kuryakin. I am also an enforcement agent. Like my friend Napoleon, I go and I do whatever I am told to by our chief.
Alexander Waverly: Hmm? Oh, yes. Alexander Waverly. Number One in Section One. In charge of this, our New York headquarters. It's from here that I send these young men on their various missions.

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Trivia

"The Man From U.N.C.L.E.'s" original working title was "Solo," and its lead character was named for a spy with a minor role in one of Ian Fleming's early Bond novels. U.N.C.L.E. producer Norman Felton had a handshake agreement with Fleming to use the name and to develop "Solo" as a TV spy series. But the Bond film franchise had other ideas, reneged on the agreement on Fleming's behalf, and sued, forcing the title change. Felton prevailed only in retaining the character's name: Napoleon Solo.

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