...And Found - S2-E5
Continuity mistake: When Jack calls Sun on the beach, there is no one near her. When the shot changes to a close-up, someone is walking past her. (00:07:40)
Continuity mistake: When Hurley's mum is trying to wake him up, the position/way he's holding his ticket changes. (00:06:20)
Continuity mistake: When Mike and Sawyer climb onto the pontoon (after Mike shoots the shark) there is a long wooden beam protruding to the left of the pontoon. In the next shot (morning, where Mike is crying) the beam protrudes the other way. (00:35:00)
Man of Science, Man of Faith - S2-E1
Continuity mistake: When Kate drops the torch in the hatch, its position keeps changing between shots of it. (00:26:20)
Man of Science, Man of Faith - S2-E1
Continuity mistake: When Kate climbs onto the ladder of the hatch, she has both feet on the ladder from the top angle. But when the shot changes to below her, she still has 1 foot on the edge of the hatch. (00:24:50)
Exodus (2) - S1-E24
Continuity mistake: When the spotlight shines on the raft, Jin is hugging Walt in one shot and holding on to the raft in the next. (00:32:40)
Exodus (2) - S1-E24
Continuity mistake: When Hurley finds out he is at the wrong check-in desk, the staff member is holding his ticket and passport. The position of the ticket is constantly changing. (00:12:20)
Exodus (2) - S1-E24
Continuity mistake: When Sayid puts the gunpowder on Charlie, the amount and position of the gunpowder changes between shots. (00:09:30)
Exodus (1) - S1-E23
Visible crew/equipment: When Sawyer hoists the sail, a crew boat can be seen in the bottom right of the screen. (00:39:50)
Exodus (1) - S1-E23
Revealing mistake: When Kate is hit to the ground by the marshal, her handcuffs are extremely loose enabling her to remove her hands with ease. (00:21:50)
Exodus (1) - S1-E23
Continuity mistake: When Danielle is talking to the group, the position of her hair is constantly changing between shots. (00:05:00)
Born to Run - S1-E22
Continuity mistake: When Kate runs out of the hospital room, she goes through a door with her right arm/shoulder going first. Camera changes to the other side of the door and now her left arm/shoulder is going through first. (00:31:00)
Born to Run - S1-E22
Continuity mistake: When Sawyer holds up the passport for Michael to see, the way he holds it changes between shots. In the first shot he is holding it at an angle, and in the next it's perfectly level. (00:28:00)
Born to Run - S1-E22
Continuity mistake: When Sawyer throws the bottle to Michael, Michael's arm moves between shots. Easy to tell as in the close up of the bottle, you can see his fingers flat on the floor but they're not there in the next shot. (00:26:30)
Born to Run - S1-E22
Continuity mistake: When Walt is talking to Locke about the injury to his leg, Locke doesn't have a bandage on his leg. However, a couple of seconds later he's pulling his trouser leg down with a bandage around his leg. (00:25:30)
Born to Run - S1-E22
Continuity mistake: When Kate is chucked a beer by Tom, there is a load of froth on the can which disappears instantly. (00:22:05)
Born to Run - S1-E22
Continuity mistake: When Jin and Sun are talking about Jin going on the raft, the way Jin holds the wire he is tying differs between shots. (00:08:20)
Born to Run - S1-E22
Continuity mistake: At the hospital, the way Kate holds the vase of flowers differs between shots. In the front shot, she is holding it by the neck of the vase, and in the rear shot, she is holding it by the bottom. (00:06:50)
The Greater Good (a.k.a. Sides) - S1-E21
Continuity mistake: When talking to Hassam while playing football, Sayid has a strand of hair in front of his face that keeps appearing and disappearing. (00:20:50)
The Greater Good (a.k.a. Sides) - S1-E21
Continuity mistake: When Sayid puts his hand on Jack's shoulders, the camera changes to a different angle and now his hands are no longer on his shoulders. (00:10:30)
Answer: Using a mold, a realistic pregnancy belly is made of latex (rubber), including the distinct belly button, to suit the proportions of Emilie de Ravin who plays Claire. It is then painted with a special paint/adhesive compound that adheres to the surface and for shots of the actual belly, additional veining and stretch marks are airbrushed on.
Super Grover ★