Continuity mistake: When the Hood becomes entangled in the branches in the ravine at the end of the episode, the branches break and he falls into the river below, but when he falls, the branches have disappeared.
Move - And You're Dead - S1-E20
Continuity mistake: When Thunderbird 1 is pursuing Gillespie and Gomez towards the end of the episode, Gillespie and Gomez both have their hands on the steering wheel in the car in one shot, yet the view from Thunderbird 1 shows only Gomez driving the car.
Move - And You're Dead - S1-E20
Continuity mistake: During the race, the driver's door on Alan's car changes from mud-splattered to clean between shots.
Continuity mistake: When Scott first approaches the boys after the 'rescue', his sidearm can be seen to be missing the usual red barrel covering.
Continuity mistake: As the second Fireflash crashes, its left wheel housing pod can be seen to be split in two, yet on Fireflash's ascent to the seabed, the pod is intact.
Continuity mistake: Thunderbird 4's laser cutter is of a different scale and at a different angle in relation to the Fireflash engine pylon in close up and long shots.
Continuity mistake: When Jeff and Tin-Tin are discussing whether she should go on the mission with Virgil to rescue Scott, the pen on the map on Jeff's desk is facing upwards, but later on in the scene it has moved slightly to the right.
Continuity mistake: When Thunderbird 2 lands on the London Heliport, the sky has suddenly changed from daylight to nighttime.
Continuity mistake: During the rescue operation, Thunderbird 2's wreckage grabber changes from being semi-circular with flat edges as TB2 flies over the water to being angular with teeth as it is being dropped down to the rocket.
Continuity mistake: When Brains collapses under the Hood's influence, he has nothing in his left hand, but when the Hood takes off his mask, we see Brains again, and this time a blue stone has appeared in his hand.
Continuity mistake: When we see a close-up of Light-Fingered Fred in the prison cell, the games of noughts & crosses on the wall behind him are completely different to the ones seen in previous shots.
Continuity mistake: When the laser vehicle leaves the pod and enters the plutonium store, you can see the cockpit has a windshield, but when Scott tells Virgil "We're gonna have to work fast", we cut to Virgil, and the windshield has disappeared.
Continuity mistake: As Thunderbird 2 attempts to deflect the course of the KLA satellite, all the damage and charring that occurred to the satellite in the explosion earlier has disappeared, and even the attennae has been straightened.
Move - And You're Dead - S1-E20
Continuity mistake: When Thunderbird 2 touches down on the sand to release Alan in his car, there is no "2" underneath its front section, but the number reappears when the pod is being released.
Continuity mistake: When Lady Penelope and Tin-Tin pause to turn on their ski thrusts as they return to the hotel from Olsen's chalet, it begins to snow, but the snow has stopped when they set off again just seconds later.
Continuity mistake: When we see the Hood destroying The Mighty Atom at the end of the episode, the control box is much closer to the device than it was in the previous shot.
Continuity mistake: When Parker pours Penelope a glass of sherry, the close-up shots of his human hand show he places the glass directly onto the table, but the wider shots of the puppets show the glass on Penelope's place mat with no time for it to have moved.
Continuity mistake: When Jeff tells Alan it's time to relieve John in the space station, he's holding a cigar in his right hand, but after a quick cut to Alan saying "All set, father," we return to Jeff, and his cigar has suddenly disappeared.
Continuity mistake: When Scott, Virgil and Gordon are playing snooker at Tracy Island, the balls on the snooker table change position between shots.
Continuity mistake: When Parker is sitting at the table waiting for his meal prepared by Lil, you can see that his knife is pointing to the left, but when Lil says "Now listen here, Nosey!" we cut back to Parker, and the knife is now facing straight.
