Seinfeld

Seinfeld (1990)

4 mistakes in The Calzone

(14 votes)

The Calzone - S7-E20

Continuity mistake: This mistake is in The Calzone episode. Towards the end when George walks in and his boss is looking around for the smell of calzones, George is holding a bag in his hand. In the next shot that shows the back of the boss's head the bag is now on top of a box that George is carrying. When it goes back to a close up the bag is in his hand again.

The Calzone - S7-E20

Factual error: When Jerry gets a speeding ticket, he asks Nicki to give the officer the registration. She gets a large piece of white paper from the glove compartment. That's what car registrations look like in California, where the show was produced. In New York, where it's supposed to take place, car registrations are the size of a driver's license, and are usually kept in the driver's wallet.

The Calzone - S7-E20

Visible crew/equipment: In the scene where Elaine questions her boyfriend in front of her apartment, look carefully at the end of the conversation. When her boyfriend turns and walks away, you can see where the green screen ends, with the crew members/cameras standing on the set. (00:09:25)

The Calzone - S7-E20

Other mistake: When Kramer is at the restaurant, as a favor for George, he tells the employee that he wants "three calzones." Then the employee just starts cooking the calzones. He never asks what ingredients/filling Kramer wants in those, and Kramer never says.

The Jimmy - S6-E19

Jimmy: Oh yeah, Jimmy's ready. Check Jimmy out. Jimmy's got some new moves. [Slips and falls from the water.] Jimmy's down.

Bishop73

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Trivia: No matter who the characters in Seinfeld call, they never have to look up the phone number in the phone book. They have the phone numbers to every restaurant, hotel, and business memorised.

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Answer: Composer Jonathan Wolff used a synthesizer, although in seasons 7-9, a real bass is used in addition. Wolff also recorded himself making hundreds of mouth noises, pops, and slaps to add to the synthesized bass licks so that each episode has a different theme. The only real "back-story" is Jerry Seinfeld was having trouble coming up with a theme song and talked to a friend who happened to know Wolff. They wanted to avoid that cheesy late 80's sit-com theme song and Wolff came up with what we enjoy now. Jonathan Wolff has also talked about this further in interviews, recently Reed Dunela interviewed him, so for a fuller account of his story; check out "The Wolff of 116th street".

Bishop73

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