Buffy The Vampire Slayer

Crush - S5-E14

Revealing mistake: When the porter is dragged back onto the train at the start you can see (more obviously if you watch in slow motion) that there's absolutely nothing grabbing him, not even someone's shadow. (00:04:55)

Shay

No Place Like Home - S5-E5

Continuity mistake: At the beginning of the episode Buffy is thrown against a 'No Trespassing' sign and the sign is all crinkled, the vampire also punches it but later in the episode we see the same sign except that it looks brand new.

Family - S5-E6

Visible crew/equipment: In the scene where the demons are attacking, one of the demons throws Buffy across a table. If you look carefully, you'll see the black mat which softens the stunt double's fall on the floor when she hits the ground.

Listening To Fear - S5-E9

Audio problem: At the start of the episode when Buffy and Dawn are with Joyce in the hospital room, Dawn starts eating jelly, and when Joyce starts speaking you can see in the left hand corner of the screen Dawn talking, but no words are coming out.

Into The Woods - S5-E10

Plot hole: When Buffy talks to Xander at the end and he tells her to stay with Riley, she mentions that he is going at midnight. But earlier in the episode, Riley doesn't tell Buffy he is going at midnight, he says "Transport's leaving tonight" first, and at the end of the conversation he says "Unless you give me a reason to stay, I'm leaving tonight". Nowhere in this episode does he tell Buffy that he's leaving at midnight.

Spiral - S5-E20

Continuity mistake: When Spike grabs the sword belonging to one of the Knights of Byzantium as they attack the Winnebago (through the ceiling), the position of his hands on the blade changes between shots.

THGhost

The Body - S5-E16

Visible crew/equipment: Buffy and the gang are in the waiting room after being told the cause of Joyce's death. After Willow asks "Why don't we sit down?" the camera pans from right to left and the camera focused on Dawn becomes visible at screen left. Some frames later it appears again as Dawn leaves to "pee" and the camera zooms out. (00:32:55)

Kistunenene

Intervention - S5-E18

Continuity mistake: When the gang are fighting Glory's minions, one of them knocks Giles to the ground and then tries to choke him. As Giles hits the ground he lands facing downwards so we can't see his face. But when the minion is chocking him in the shot immediately afterward, he is suddenly facing upwards.

THGhost

Spiral - S5-E20

Visible crew/equipment: When Ben arrives in his car and discovers the Knights of Byzantium, the shadow of a camera on a crane can be seen in the bottom left corner of the screen as he pulls up.

THGhost

Intervention - S5-E18

Revealing mistake: When Spike, Xander, Anya and the Buffybot are attacked by vampires in the cemetery, the grass for the cemetery moves underneath the vampires' feet as if it were a carpet. The cemetery was a sound stage and not an actual cemetery.

THGhost

Spiral - S5-E20

Continuity mistake: The shape of the hole in the aluminium foil in the Winnebago's windshield changes shape several times throughout the course of the episode.

THGhost

Touched - S7-E20

Spike: You listen to me. [Kneels in front of her.] I've been alive a bit longer than you, and dead a lot longer than that. I've seen things you couldn't imagine, and done things I prefer you didn't. I don't exactly have a reputation for being a thinker. I follow my blood, which doesn't exactly rush in the direction of my brain. So I make a lot of mistakes, a lot of wrong bloody calls. A hundred plus years, and there's only one thing I've ever been sure of: you. [Buffy looks away; he reaches toward her face.] Hey, look at me. I'm not asking you for anything. When I say, "I love you, " it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman. You're the one, Buffy.
Buffy: [Quietly.] I don't wanna be the one.

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The Yoko Factor (1) - S4-E20

Question: At the last moment before leaving for good, Angel pauses to tell Buffy "I don't like him" [Riley], to which she replies with a large smile "Thank you." Why does she take this comment surprisingly well? From an ex boyfriend to her new boyfriend? It's not like it sounds like a friendly warning of any sort, nor a joke given the tense situation between the two guys in the episode. And the smile on Buffy's face does not make her response look ironic either, more like loving/caring. Is that a cross over reference to another dialogue in the Angel series?

AnthonyA

Chosen answer: Angel is saying that he is still jealous and Buffy recognizes that this is his way of saying he wishes that they could be together. That is why they both smile.

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