Buffy The Vampire Slayer

The Harvest (2) - S1-E2

Audio problem: When everyone is in the Bronze - just before the vamps show up - you hear the first line of a song being played, Ballad For Dead Friends by Dashboard Prophets, cut to outside and you see the vamps strolling along and killing the doorman, then cut back into the Bronze and the same line plays again. This is a total error in cutting the show, it is stated there is no live band but still the same line plays twice when that is not how the song goes.

troy fox

The Harvest (2) - S1-E2

Audio problem: When Buffy kills the vampires dragging Xander at the beginning, we hear two impact sounds but don't hear either of them turn to dust. They were only a few feet away and there was no other sound to cover it up. (00:01:00)

Phoenix

The Harvest (2) - S1-E2

Continuity mistake: A cut scene shows the sun had just gone down right before Buffy heads to the Bronze and Joyce tells Buffy she will make them dinner if she chooses to come downstairs. This would assume it is evening. When Buffy kills Luke she says sunrise is in 9 hours. Considering this episode takes place in March, that would mean the sun would have gone down around 7pm. But 9 hours from sunrise would be around 10pm.

The Harvest (2) - S1-E2

Continuity mistake: When Buffy is shown pulling the secret chest out of her closet with weapons against the vampires, the window behind her shows daylight, but when she steps out of her window it is fully dark. There is also a cut scene right before that shows it was twilight, but there was late afternoon sunlight shining through the windows of her room. It's not possible for the sun to go down that fast.

Touched - S7-E20

Spike: You listen to me. [Kneels in front of her.] I've been alive a bit longer than you, and dead a lot longer than that. I've seen things you couldn't imagine, and done things I prefer you didn't. I don't exactly have a reputation for being a thinker. I follow my blood, which doesn't exactly rush in the direction of my brain. So I make a lot of mistakes, a lot of wrong bloody calls. A hundred plus years, and there's only one thing I've ever been sure of: you. [Buffy looks away; he reaches toward her face.] Hey, look at me. I'm not asking you for anything. When I say, "I love you, " it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman. You're the one, Buffy.
Buffy: [Quietly.] I don't wanna be the one.

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Question: Can someone please explain how exactly a Watcher knows who the chosen one is? In the season 2 episode "What's my line" Kendra explains that her parents gave her away to her watcher when she was young because they believed it would be best for her. How did they know about the slayer mythos and how did they know Kendra could be one? I always thought that when a new slayer is born it could be anyone; and that was no discernible factor in who would be the next one to become the slayer.

Azureth

Chosen answer: From what we see in the series, certain girls are identifiable as potential Slayers - Kendra clearly fell into this category. The identification method is presumably mystical in nature, but the Watchers' Council are pretty effective at that sort of thing, so they're quite good at tracking down the potentials ahead of time. Not perfect, though - it does appear that Buffy herself may have slipped through the net - certainly she had no inkling of what she was until she'd already taken on the role of Slayer. It is possible, however, that this was actually cultural - an American family would hardly be likely to turn over their daughter to some strange man for 'training', so the Watchers might have chosen to keep an eye on her covertly, whereas some other cultures (like Kendra's Jamaican parents) might be more willing to believe.

Tailkinker

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