Buffy The Vampire Slayer
Buffy The Vampire Slayer mistake picture

Once More, With Feeling - S6-E7

Continuity mistake: When Buffy is singing her final song in the Bronze Tara and Anya are standing in the background watching, if you look closely you can see their hands keep changing places between shots, crossed to uncrossed and so on. (00:42:00)

Buffy The Vampire Slayer mistake picture

Once More, With Feeling - S6-E7

Continuity mistake: When Buffy is singing "Something to Sing About", she sings the verse beginning 'All the joy life sends, family and friends', and we see that Anya and Tara are stood in the background, about 3 metres apart from each other. However, for one shot, they appear less than 1 metre from each other. (00:42:05)

Once More, With Feeling - S6-E7

Revealing mistake: During the song-and-dance number "They Got The Mustard Out", if you look closely at the dancers, the man in green to camera right of the second row is horribly out of step with the music, and with the rest of the group. The spell makes everyone dance far better than they naturally would (Tara loses the clumsiness she often displays, for example), so it is a mistake to have someone under the spell dancing so badly.

Shay

Once More, With Feeling - S6-E7

Continuity mistake: In the musical episode, 'Once More, With Feeling', when Buffy is singing her song in the Bronze, 'Something to Sing About', she breaks a pool cue over a demon's head. She holds the remains in her right hand and clubs another demon in the face with it, then the camera cuts to another angle and it's in her left hand when she stabs the next demon with it.

Once More, With Feeling - S6-E7

Audio problem: In the final song "Where Do We Go From Here", you can hear Spike still singing even after he has apparently stopped. He and Buffy continue singing until after the line 'When do the trumpets cheer'. It is noticeable because James Marsters sings the word 'cheer' slightly out of sync with everyone else.

Tabula Rasa - S6-E8

Continuity mistake: In 'Tabula Rasa' when the loan shark's henchmen throw a stake at Spike at the start it flies over his head and hits a tree. But, if you compare the angle they approach from with the relative positions of Spike and the tree you can see it would have had to do a 90 degree turn in mid air to fly over his head before hitting the tree. (00:01:00)

Shay

Tabula Rasa - S6-E8

Continuity mistake: When Anya is standing on the table, wide shots show her holding the spellbook in front of her, but closeups show her holding it tight to her chest. (00:30:30)

Phoenix

Tabula Rasa - S6-E8

Continuity mistake: When Buffy and Dawn are discussing Buffy's new name choice Dawn's hair changes repeatedly between shots. First it's over her shoulders, then behind, she has a clip in one shot, then she doesn't.

Tabula Rasa - S6-E8

Continuity mistake: In the beginning of the show, Buffy has two necklaces on, one long and one short. However, when Buffy, as Joan, is telling everyone her plan to get away from the vampires, she only has the short necklace on. Then when she is outside, running from Spike, as Randy, both necklaces are back on.

Tabula Rasa - S6-E8

Continuity mistake: When Buffy and Spike (as Joan and Randy) are fighting Bro'os vampires, Buffy kicks down a post box to stake one of them. The pole supporting the post box breaks away at a jagged angle. But when she uses it to stake one of the vampires the end that she uses has suddenly changed to the traditional triangular point, only to return to its original jagged angle immediately afterwards. The shot of her staking the vampire is not a side angle of some uneven ends. Watch as she backs away from the vampire after he's been staked, it is a fully triangular point.

THGhost

Tabula Rasa - S6-E8

Continuity mistake: When the gang is in the Magic Box and they pass out, we see Buffy fall on the floor at the top of the stairs, but in the next shot she has moved and is now lying on the steps.

Touched - S7-E20

Spike: You listen to me. [Kneels in front of her.] I've been alive a bit longer than you, and dead a lot longer than that. I've seen things you couldn't imagine, and done things I prefer you didn't. I don't exactly have a reputation for being a thinker. I follow my blood, which doesn't exactly rush in the direction of my brain. So I make a lot of mistakes, a lot of wrong bloody calls. A hundred plus years, and there's only one thing I've ever been sure of: you. [Buffy looks away; he reaches toward her face.] Hey, look at me. I'm not asking you for anything. When I say, "I love you, " it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman. You're the one, Buffy.
Buffy: [Quietly.] I don't wanna be the one.

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Question: Can someone please explain how exactly a Watcher knows who the chosen one is? In the season 2 episode "What's my line" Kendra explains that her parents gave her away to her watcher when she was young because they believed it would be best for her. How did they know about the slayer mythos and how did they know Kendra could be one? I always thought that when a new slayer is born it could be anyone; and that was no discernible factor in who would be the next one to become the slayer.

Azureth

Chosen answer: From what we see in the series, certain girls are identifiable as potential Slayers - Kendra clearly fell into this category. The identification method is presumably mystical in nature, but the Watchers' Council are pretty effective at that sort of thing, so they're quite good at tracking down the potentials ahead of time. Not perfect, though - it does appear that Buffy herself may have slipped through the net - certainly she had no inkling of what she was until she'd already taken on the role of Slayer. It is possible, however, that this was actually cultural - an American family would hardly be likely to turn over their daughter to some strange man for 'training', so the Watchers might have chosen to keep an eye on her covertly, whereas some other cultures (like Kendra's Jamaican parents) might be more willing to believe.

Tailkinker

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