Buffy The Vampire Slayer

Bargaining (1) - S6-E1

Continuity mistake: When the Buffybot is at the parent teacher day and she is looking at the student model of a Utopian city, the hover cars are moving around the model on a wire. But when the shot changes, the cars aren't moving. Then in the next shot, they're moving again.

Bargaining (1) - S6-E1

Visible crew/equipment: At the beginning of the episode after the Buffybot kills the remaining vampires and the rest of the gang is grouped together, the shadow of a boom mic can be seen below a tall gravestone behind Giles, far right of the screen.

THGhost

Bargaining (2) - S6-E2

Continuity mistake: When Spike is looking out the window at the demons rampaging in the street outside Buffy's house, Dawn can be standing behind him with her hair trailing down below her breasts. In the next shot, when Spike pulls her away from the window, her hair is pulled back behind her shoulders despite her not having moved. (00:53:10)

Bargaining (2) - S6-E2

Continuity mistake: In the alleyway scene after the real Buffy kills all the Hellions (biker demons) and runs off, one of the Hellions can be seen getting up behind Xander. We then see a closeup shot of the Hellion opening its eyes while still lying on the ground and then they stand up and sneak up behind Xander again.

THGhost

Bargaining (2) - S6-E2

Continuity mistake: Buffy's shoes change from being nice shoes, to runners (e.g. When Buffy climbed out of her grave, she had nice shoes, but when she jumped over the fence, she had runners on).

Bargaining (2) - S6-E2

Visible crew/equipment: When Buffy and Dawn are at the top of the metal tower, and Buffy is still very dazed from being called back, there is an overhead shot with a piece of the tower falling down; if you look left of the falling piece, you can see a guy wearing a hard hat walking about.

Andrea_Verga

Bargaining (2) - S6-E2

Continuity mistake: When Buffy sat down on a car and set off the car alarm, she didn't have any dirt on her hands and only a little bit of blood, but in the next shot, there was a lot of blood and dirt on her hands.

After Life - S6-E3

Continuity mistake: Watch Spike's hand when he punches the wall. The punch lands with his middle knuckle in the wall, but when he looks at his hand it is mostly the largest knuckle that is bleeding. (00:24:55)

Phoenix

After Life - S6-E3

Continuity mistake: When the demon is attacking Buffy in her room right after Willow's spell has made it corporeal, there's a shot from behind of it drawing back its left hand, followed by a shot from the front of it delivering the backhand with its right hand. (00:34:40)

Shay

After Life - S6-E3

Visible crew/equipment: When Dawn is possessed by the demon and breathes fire in the magic shop, in the bottom right corner of the screen in one of the shots, a metal tube can be seen blowing fire onto the set when it should be coming from Dawn's mouth. A hand can also be seen holding a blow torch, igniting the tube and then quickly pulling out of shot.

THGhost

After Life - S6-E3

Continuity mistake: When Anya was possessed, she cut her right cheek, but in the next shot, her left cheek was cut and she was cutting her right cheek again.

Flooded - S6-E4

Continuity mistake: In 'Flooded', Jonathon reads a few things off the board listing the Trio's ultimate aims. One of the things he reads out is "prototype jet-packs that actually fly", but when the list is shown a few seconds later jet packs aren't mentioned on it. (00:27:10)

Shay

Flooded - S6-E4

Continuity mistake: As the Trio are discussing their plans near the end of the episode, Jonathan's arms are crossed in closeups and in other positions in wide shots. (00:36:35)

Phoenix

Touched - S7-E20

Spike: You listen to me. [Kneels in front of her.] I've been alive a bit longer than you, and dead a lot longer than that. I've seen things you couldn't imagine, and done things I prefer you didn't. I don't exactly have a reputation for being a thinker. I follow my blood, which doesn't exactly rush in the direction of my brain. So I make a lot of mistakes, a lot of wrong bloody calls. A hundred plus years, and there's only one thing I've ever been sure of: you. [Buffy looks away; he reaches toward her face.] Hey, look at me. I'm not asking you for anything. When I say, "I love you, " it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman. You're the one, Buffy.
Buffy: [Quietly.] I don't wanna be the one.

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The Yoko Factor (1) - S4-E20

Question: At the last moment before leaving for good, Angel pauses to tell Buffy "I don't like him" [Riley], to which she replies with a large smile "Thank you." Why does she take this comment surprisingly well? From an ex boyfriend to her new boyfriend? It's not like it sounds like a friendly warning of any sort, nor a joke given the tense situation between the two guys in the episode. And the smile on Buffy's face does not make her response look ironic either, more like loving/caring. Is that a cross over reference to another dialogue in the Angel series?

AnthonyA

Chosen answer: Angel is saying that he is still jealous and Buffy recognizes that this is his way of saying he wishes that they could be together. That is why they both smile.

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