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Visible crew/equipment: During the very first scene of the movie with Denzel walking toward the crime scene, the shadow of the camera is on the back of his shirt, below the NYC crime scene lettering.

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Visible crew/equipment: Right after it rains gumballs we are back in the hotel and looking at the front desk while the bad guy and girl are talking. This shot is a low angle moving right. On the counter mid-frame is a perfect shadow of the camera as the shot moves to the right.

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Visible crew/equipment: At the end of the film, when Ernest comes in with the sleigh, the camera moves down to ground level as the actors on the ground are shouting at him. When the camera is descending, it creates a shadow on several of the characters as well as the ground.

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Visible crew/equipment: Just before Johnathan Taylor Thomas climbs into the fake Santa's sleigh to sleep for the night, he is talking to Santa and playing with his hand. On his lower chest is the shadow of the camera (since the light is coming from behind the camera), which disappears in the following angle.

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Visible crew/equipment: Right before Taylor gives the female ape (Zira) the piece of paper with his name on it, while he is fighting the other ape, the shadow of the camera is seen on the bottom of the cage. (00:47:05)

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Pie-lette - S1-E1

Visible crew/equipment: When Ned walks upstairs to check on the lady before the bad guy gets killed, behind him is a circular window. A reflecting light can be seen in the window along with what looks to be a boom microphone.

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Visible crew/equipment: When Virginia Madsen and her friend are in her apartment, and are about to check out the mirror, they walk down a long hallway. At the beginning of this shot, they both pass the camera and it begins to follow them, displaying a shadow on their shirts as well as the wall. (00:13:40)

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Visible crew/equipment: When the family is trying to load the body of Grandpa into the VW, the shadow of the camera can be seen multiple times at the bottom of the frame. It shows up most obviously on uncle Frank's shirt.

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Visible crew/equipment: When the prisoners are being sold at the market, there are several shots of people chanting right at the camera. In one of these shots, an obvious shadow of the camera and its magazine can be seen in the lower part of the screen. (01:10:36)

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Visible crew/equipment: When Denzel is trying to get information on Samuel Ramos he is talking to a woman on the phone. When we first see her talking next to her computer, this shot begins looking over a rail and pulls back. As the camera pulls back, the track that it is sitting on is visible on the bottom right of the screen. You can also see electrical wire next to the track.

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Visible crew/equipment: Towards the end of the film when Fabian is running, he jumps down some stairs and turns the corner. On the ground is a perfect shadow of the camera and its operator, which is quickly covered up by a camera movement.

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Visible crew/equipment: When Fabian goes into his office after receiving the package, he closes the door and the rest of this shot is through the glass. The camera and its operator (with a white shirt) are visible on the right side.

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Visible crew/equipment: During Hi's dream sequence where he describes the lone biker from hell, at several points you can see the shadow of the camera car on the road and on the bottom left of the screen before the rabbit gets a grenade thrown at it. This is visible on the VHS version.

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Visible crew/equipment: As Carolyn and Lester pull up to their driveway while talking about the paper Lester has to write, the reflection of the camera and its operator is visible in the passenger door, below Lester. (Most visible when the camera moves closer to the car.) (00:06:55)

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Visible crew/equipment: When Rob Lowe arrives on the Greyhound, the camera starts from high and moves down. Its reflection is visible in the windshield of the bus.

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Visible crew/equipment: At Lees Ferry when the stagecoach is crossing the river, there is a shot from on top of the stagecoach. As the camera pans over to the river, a clear shadow of the camera and its film magazine are visible.

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Visible crew/equipment: When Kane is talking to Leland, after the campaign is over, there is a low angle shot looking up at Leland from Kane's feet. The shadow of the camera can be seen on Kane's right leg until he moves.

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Visible crew/equipment: Near the end when Wilford and Don and Kitty are about to sneak into the Oceanic Center, they are scoping out the scene. As they turn the corner, the shot changes to a shot mounted on the hood looking right at Wilford. You can make out the top of the camera's shadow near the right windshield wiper. (01:30:45)

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Visible crew/equipment: During the confrontation between the bad guy and Kurt at the first gas station (where he leaves his hood open,) the camera and two crew members can be seen in the passenger side window as the camera follows the bad guy walking along the Jeep. Look out for the boom mike reflected in the windshield in the same shot as well. Both are really obvious. (Not visible on DVD version).

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Visible crew/equipment: During the scene where the car breaks down and pulls to a stop in the middle of the road there is a shot of Kurt Russel getting out of the car. Look in the passenger side door, you can make out a camera reflection. Also, look out for the reflection of a reflecting light in the window as Kurt goes to get the cell phone. This is most obvious when the door swings open. (00:08:25)

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