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Human Flow - S1-E1

Visible crew/equipment: During Ryan's segment, Sun, leads him into a house. The camera tracks behind them up some steps. The operator is visible in the glass on the left side briefly.

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Visible crew/equipment: During the second fight, there's a brief shot looking at the opposite side of the ring. A large motion picture camera and its operator are blatantly visible in the crowd.

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Visible crew/equipment: After school gets out, the seniors chase the freshmen in a truck. We see a shot looking at the scared freshmen in the back window. The camera's shadow is visible the entire shot.

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Visible crew/equipment: When Mr. Thompson goes to the Thatcher library, he walks through a door and the camera follows him. Just before the shot ends, the camera casts a shadow on the left wall.

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Visible crew/equipment: On the carousel at the end, the camera is going around with the bad guys and the main female protagonist. Several times you can see its shadow and that of crew members as the light is behind the camera.

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Visible crew/equipment: A woman enters an art gallery and the camera tracks along with her, ending when she stops. To the right is a plate of glass. The heads of two crew members are painfully obvious in the reflection. Their reflections disappear when the camera backs up. Its likely the camera operator and an assistant.

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Visible crew/equipment: Ray and Annie are talking about going to Boston and the camera is tracking through their home. The camera is reflected in a picture hanging on a wall in the kitchen as the shot passes it.

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Two at a Biker Bar, One in the Lake - S11-E7

Visible crew/equipment: Frank is confused as he's at a foreign bar. He backs up against a glass window. A few crew members are visible reflected.

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Visible crew/equipment: Viking's goons head to Coxman's house and step out of their vehicles. In the front vehicle, the camera is reflected in the glass of the driver's side door. It lingers there for a time.

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Visible crew/equipment: When the big dozer is chasing the cooks, we see the driver. A perfect reflection of the camera is visible in the glass.

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Visible crew/equipment: When the kids slam the bus window down on Ernest's fingers, we see a shot inside. The camera is reflected in the window.

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Visible crew/equipment: When Foley is released from the cell, he is taken to see Rosewood and Taggart. The camera tracks through the police station and it is visible reflected in the glass.

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Visible crew/equipment: The shadow of the camera is visible right of screen when John is wrapping himself with the fire hose and asking himself why he's doing it. It lingers for some time. It looks to be a steadycam with a monitor.

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Visible crew/equipment: During the parade, the camera moves in and back a couple of times and the operator's shadow is visible left screen. This is really obvious after the Wizard of Oz characters walk by.

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The Color of Truth - August 8, 1955 - S1-E7

Visible crew/equipment: The shadow of the camera is visible on the car's hood when Al is trying to convince Mrs. Melanie not to go after Sam. It lingers there for a while in the shot.

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Visible crew/equipment: Marta and the detective are driving to the 1209 location, and he is talking. During this entire scene, the reflection of the camera is visible on the left side of the glass.

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Visible crew/equipment: During the car chase, Marta pulls her car into a dead end and the camera moves up to the window. The top of the camera operator's head is visible in the reflection. Later in the same shot, the camera is visible in the glass left of screen.

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Visible crew/equipment: Near the beginning when the babies are trying to escape the bedroom, there are several low angle shots of them crawling. The shadow of the camera is visible on the floor.

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Visible crew/equipment: When Denzel and Kevin are playing basketball in the beginning there are several low angle shots of their legs moving. The sun is behind the camera and the operator's shadow is visible.

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Visible crew/equipment: After Harry finds out Helen is cheating on him with Simon, there is a scene at the house where the camera pulls in on the family eating dinner. In this shot the shadow of the camera can be seen creeping onto the windowsill.

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