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Visible crew/equipment: When Gilligan puts the Skipper down, you can see the wires attached to the corners of the lounge seat.

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Dreams - S8-E22

Visible crew/equipment: As the camera pans around the bed in Margaret's dream, you can see the camera man and equipment reflected. Also, when the soldiers march past, the shadow of the microphone rig plays across each one as they pass the bed.

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Allergy Time - S2-E28

Visible crew/equipment: When Gilligan is packing, Skipper sneezes and blows out the candle. The third time, Gilligan blocks the candle, and if you watch the right side of the screen, you see the tip of somebody's nose pop into the scene as he blows out the candle.

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Dear Sigmund - S5-E7

Visible crew/equipment: As Potter is panning with the binoculars, you can see the lights, camera and crew reflected in the lens.

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Ben? Her? (1) - S2-E23

Visible crew/equipment: As Will talks with Jack about the marriage to Rosario, the studio behind the cameras is reflected on the silver set piece behind Will.

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Visible crew/equipment: As the camera pans up to Jo on top of the van, the camera rig is reflected on the side.

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Visible crew/equipment: Numerous times throughout the series, the screws that hold on the panel faces on the Conn and Ops positions are visible.

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Visible crew/equipment: As the camera pans up to the roof of Bert's house, a film crew member is reflected in the window.

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The Mirror - S3-E6

Visible crew/equipment: Clemente walks over to the portrait of the former ruler, and throws his glass. Just as he completes the action, the camera looks at the portrait. There is a movement of what appears to be a device on the right side of the shot firing the glass.

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None Like It Hot - S7-E6

Visible crew/equipment: As Klinger sits in the chair dressed in a winter coat, you can see the boom mike and light panel reflected in his shades.

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Visible crew/equipment: When the red Dodge driven by Santa is in midair, the skid plate mounted underneath for the stunt is visible.

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The Four of Us are Dying - S1-E13

Visible crew/equipment: As Arch Hammer is walking to Hotel Real, the camera is looking up towards him as he walks. Just before he turns to go in, the lights, roof, and support beams of the soundstage are above the skyline backdrop.

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White Bird - S1-E19

Visible crew/equipment: As KITT goes to jump over the fence of the airport, the helmeted stunt driver is seen, as well as part of the ramp pops up into view. Also, you can plainly see that it's the lightweight stunt car, as you can see though it from the bottom.

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Nobody Does It Better - S1-E21

Visible crew/equipment: When KITT jumps over the creek, as the angle changes to show the car in flight, the action camera for exterior shots is plain to see mounted on the passenger side.

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Knight Moves - S1-E20

Visible crew/equipment: At the end, as Michael and KITT do the run up to the jump at the tan van, the action camera can be seen on the lower portion of the passenger side.

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Deadly Maneuvers - S1-E3

Visible crew/equipment: As Michael and Robin go to get into KITT on the firing range, the filming crew and equipment are reflected on the light cover on the back end of the car.

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Just My Bill - S1-E6

Visible crew/equipment: As Michael walks over to talk to the guy KITT has cornered by the tan building, the shadow of the boom mic is on the building.

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No Big Thing - S1-E8

Visible crew/equipment: At the end, as KITT goes to jump the camper, there is a set of what appears to be mirrors to hide the obvious ramp.

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No Big Thing - S1-E8

Visible crew/equipment: As the truck Devon is driving jumps the chain link fence, the helmeted and harnessed stunt driver is easily seen.

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No Big Thing - S1-E8

Visible crew/equipment: When the camera looks at KARR's modulator, it appears to be nowhere in the futuristic dashboard.

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