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Visible crew/equipment: As Harry looks at the "robot" in Agriculture you can see the camera reflected in the robot's visor over Harry's right shoulder.

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Visible crew/equipment: As Maximilian inverts in the elevator (incredible given the small size of the compartment) if you look closely, you can see the arms extended from the wall the Max pivots on. Also, in this shot, the inside of V.I.N.CENT's left eye and pupil can be seen through the grille on the left side of his head.

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Visible crew/equipment: When the pink car is set on fire at the gate, there is an obvious cable pulling the car backwards as it blows up.

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Visible crew/equipment: After Toady gets his fingers cut off by the boomerang, the goon with the blue tinted goggles has what appears to be the camera crew reflected in his left lens.

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Visible crew/equipment: When the camera does a close up of a goon, it looks like the lighting panel is reflected in his left lens.

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Fear Her - S2-E14

Visible crew/equipment: As the workman and Rose push the car, there is a clear reflection of the lighting panels and a boom mike on the car. (00:05:35)

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Big Mac - S3-E21

Visible crew/equipment: After Hawkeye takes a picture of the group, you can see studio light panels reflected in Trapper's shades.

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Rainbow Bridge - S3-E2

Visible crew/equipment: As The Bus nears Rainbow Bridge, there is a reflection of either the camera vehicle or equipment in the lower right side of the windshield.

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Deal Me Out - S2-E13

Visible crew/equipment: After the C.I.D. man comes into the swamp and makes reference to Klinger, who looks up, you can see a studio light panel reflected in his shades.

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Henry, Please Come Home - S1-E9

Visible crew/equipment: After Reveille has blown, Radar comes in, and gets items thrown at him. As the door closes, there's a reflection of the studio lighting on the glass.

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Visible crew/equipment: When the Stingray is shown going out of the harbor, the blades of the chopper shooting the aerial shots can be seen in the upper right corner of the screen.

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Visible crew/equipment: As Santa's foot closes in on Ralphie's face to push him down the slide, the shadow on his boot is the squared light shade of the camera.

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Standing Room Only - S5-E21

Visible crew/equipment: As Burkhalter is talking to Strauss and Klink in front of the office door, you can see the shadow of the boom mic moving over each as they talk.

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Peak Performance - S2-E21

Visible crew/equipment: As Kolrami talks to Picard from beside the aquarium, you can see the studio light panels reflected on the glass.

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Visible crew/equipment: The studio lighting and camera can be seen reflected in Caesar's shades as he gets up.

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Tomorrow is Yesterday - S1-E20

Visible crew/equipment: When Kirk hears the audio for the first manned moon shot, he gets up to walk over to Spock. As the camera pans to follow, the shadow of the boom mike can be seen moving quickly above and to the left of his head.

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The Doomsday Machine - S2-E6

Visible crew/equipment: On the Constellation, the camera is looking at the man helping Kirk to get the secondary view screen working. As the camera goes to pull back to allow Kirk into the shot, you can see the shadows of the camera shades on the wall. (00:25:00)

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Visible crew/equipment: When the first car seen in the movie stops, the camera rig can be seen reflected in the hubcap.

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Divided We Stand - S2-E1

Visible crew/equipment: In the swamp, behind the General, you see a hole in the tent that disappears a second later. In that second, you see a boom mike.

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The Thirteenth Hat (1) - S1-E13

Visible crew/equipment: As Gordon goes to the Batphone to alert Batman, the shadow of the camera covers most of him for about a full three to four seconds.

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