Factual error: After Zidler tells Satine that she is dying, he is seen walking up a stairway past some sewing women. In an overview of the stairs, a stage light to the left has about a dozen or so frosted light bulbs in it. Frosted, tungsten light bulbs were not invented until the mid-to-late 1920s. Any electric light in 1900 would have had clear, carbon-filament bulbs. And no, those are not glass shades over the bulbs.
Trivia: At the beginning, right after Christian sings the 'hills are alive' line, the unconscious Argentinian says something about him having lots of talent, and 'happens' to put his hand on his crotch. Then later in the movie, when Satine is unbuttoning his pants when they are in the elephant for the first time, she calls him a 'big boy' and Toulouse says he has HUGE talent.
Question: In the beginning of the film, the audience sees the Moulin Rogue in its original role as a bordello/nightclub. It's hugely successful, too - it's full of patrons literally throwing money at the dancers. Why does Zidler want to stop all of this in favour of making it a theatre? And if he's dead set on this, why not do it using the revenue he's already got, instead of entering into a deal with a Duke who is jealous and possessive beyond belief (with a personal assassin, no less) and giving him the property's deeds?
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