Continuity mistake: After Harry Zidler first sees Christian and Satine kissing, when they stop kissing, Satine's lipstick switches from being smeared to perfectly done and bright red when she walks and when Zidler is talking to her about having to end the infatuation.
Continuity mistake: The scar on the Duke's bodyguard's face switches from one cheek to the other throughout the movie, due to flipped shots. (00:17:30)
Trivia: At the beginning, right after Christian sings the 'hills are alive' line, the unconscious Argentinian says something about him having lots of talent, and 'happens' to put his hand on his crotch. Then later in the movie, when Satine is unbuttoning his pants when they are in the elephant for the first time, she calls him a 'big boy' and Toulouse says he has HUGE talent.
Trivia: Baz Luhrmanns films have the on going theme of "L'amour" or forbidden love. Not only in Moulin Rouge, but also in Romeo Juliet and Strictly Ballroom, the red "L'amour" sign can be scene in the background as part of the set. The L'amour sign was a set piece from Baz Luhrmanns first staging of La Boheme and he puts it in every one of his movies.
Toulouse-Lautrec: The greatest thing you'll ever learn, is just to love, and be loved in return.
Christian and Satine: Come what may, I will love you until my dying day.
Satine: Tell our story Christian, that way I'll-I'll always be with you.
Question: In the beginning of the film, the audience sees the Moulin Rogue in its original role as a bordello/nightclub. It's hugely successful, too - it's full of patrons literally throwing money at the dancers. Why does Zidler want to stop all of this in favour of making it a theatre? And if he's dead set on this, why not do it using the revenue he's already got, instead of entering into a deal with a Duke who is jealous and possessive beyond belief (with a personal assassin, no less) and giving him the property's deeds?
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