Memento
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Other mistake: At Natalie's house, when she is leaving and Lenny is taking a picture of her, the background looks totally different than from what is shown on the picture: the curtains are opened wider, the door is half open, there is a lamp on the left and there is no mirror on the wall. (00:17:10 - 01:20:50)

Other mistake: In the Sammy/Lenny shot in the Institution, before the switch the orderly on the left heads toward the medical files with his arm outstretched and the nurse walks behind Sammy. Just as the person passes the camera the film jerks and the two men at the table, visible on the left, have a shaking motion. After the switch, the orderly and the nurse are both further back. (01:29:50)

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Other mistake: In the scene where Leonard finds Dodd, he calls Teddy. When Teddy knocks at the door, Leonard goes to answer it. Just as he's about to open the door, there's a dodgy edit and you see Leonard jump to the left a little. (00:41:20)

Continuity mistake: There are scenes in which Leonard is looking at the back of Teddy's polaroid. If you look at the serial number of the polaroid when he is writing "Don't believe his lies" it is a different number than when he looks at it during the beginning of the film. (00:05:15 - 00:07:00)

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Leonard Shelby: You know, I can remember so much. The feel of the world... Her. She's gone. And the present is trivia, which I scribble down as fucking notes.

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Trivia: In the scene where Lenny is on the phone describing how Sammy Jenkis ends up in a home due to the death of his wife, it shows Sammy sitting in a chair looking towards the camera. Sammy is temporarily blocked from our view by someone walking in front of him. As the person passes by, it is not Sammy that re-appears, but Lenny. To see it well, you will have to use the frame-by-frame mode. There are about 5 visible frames of Lenny in the home, and then it cuts back to him inside the motel room talking on the phone again. (01:29:55)

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Question: I still don't understand why Leonard switches clothes with Jimmy and steals his car after he kills him. "I'd rather be mistaken for a dead guy than a killer." That makes absolutely no sense. Driving around in Jimmy's car and wearing his suit would make him the prime suspect in the investigation. He was much safer when he was just an anonymous guy driving around in a pickup truck.

Answer: It is never explicitly given. The most Leonard says on the subject is: "I'd rather be mistaken for a dead guy than a killer." Speculations include (you can make up your own motives as well) : (1) The clothes and car are so much nicer than his. If you are willing to kill someone: stealing is not really a "crime." Why not take the nicer objects? (2) It could be part of his "routine": Kill a man, take his clothes and car. The clothes he had on and the truck may be from the man he killed a year ago. (3) It could be that he wants to make the killer of his wife suffer even more, and takes his clothes as a way of humiliating him. Leonard takes the man's life-his clothes and car, which are wrapped up in his identity-just as the man took his. This idea seems to work with a theme in Memento about "Identity" (especially mistaken identity). Natalie thinks Leonard is Jimmy, then thinks he is Teddy, then learns he is Leonard. Teddy is "mistaken" for the second killer, Jimmy is "mistaken" for the 2nd killer. Sammy's story as a part of Leonard's story, etc. (4) It could "simply" be explained as a "plot device": Leonard has to do it, otherwise he won't find the note in "his pocket" and meet Natalie. (5) Leonard doesn't want to admit he's a murderer. He's lying to himself. If he's the victim, then he cannot be the murderer. (6) Leonard takes Jimmy's clothing as part of his routine of killing J.G.'s he becomes another person, he's the victim not the killer, thus "I'd rather be mistaken for a dead guy than a killer." and that's why he also takes his car, so he has to, once again, find his wife's killer and kill him.

Answer: Leonard's only goal in life was to find his wife's killer, and he thought he had just achieved that. With nothing more to live for, the clothes would attract the attention of Jimmy's associates - a method of suicide as indirect as his eventual approach to killing Teddy.

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