Fracture
Movie Quote Quiz

Detective Flores: It's a thing. It does stuff.

Lt. Robert Nunally: I warned you about him.
Willy Beachum: You warned me he was smart. You didn't warn me you were stupid.

Lt. Robert Nunally: Your wife? Is she OK?
Ted Crawford: I don't think she is. I shot her.

Judge Pincus: I appreciate your concern for the dignity of the court 007, Unfortunately, the man is a tax-paying citizen and entitled by our constitution to try and manipulate the legal system like everybody else.

Judge Gardner: You know what nobody understands about certain kinds of low-paid public service work? Every now and then you get to put a fucking stake in a bad guy's heart. Now, we're not supposed to talk about that when we visit a 3rd-grade classroom for Career Day. And it doesn't get you very far into a country club locker room but it's hard to beat when you actually get to do it. (01:10:22 - 01:10:51)

Ted Crawford: And the look on his face, oh. He was trying to get her back to life. And I was pissing myself laughing. Because I took both the bastards out with one fucking bullet.

Ted Crawford: My dick has evidence.
Judge Robinson: Excuse me?
Ted Crawford: My dick... my private investigator. I call him Dick.

Continuity mistake: In the end of the film where Willy and Ted stand together in Ted's house, Ted says to Willy "See, you can't touch me, ever". The shot goes to Willy and you can see his finger off the trigger, yet in the close-up on the trigger you can see that Willy's finger is inside the trigger-guard and he pulls it out. (01:46:15)

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Trivia: The prop department had some fun during the making of the movie; you can see a lot of names of miscellaneous crew slipped in a few spots. There are boxes with case files scattered around the district attorney's offices; the ones behind Willy in his own office (People vs. Bonaventura - Tony Bonaventura being the property master, People vs. Morgenthau - Kramer Morgenthau being the director of photography) get quite a bit of screen time, but there are several others all over the office space, all carrying the name of a crew member. For instance, in a brief sequence when a dejected Willy walks up to Mona's desk to ask for her help before the third act, you can see unique ones. There's also a listing board with judges during the arraignment, and one with doctors when Willy is stopped by the hospital security; both of them are filled with names of production crew members. (01:16:50 - 01:33:20)

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Question: How does the motel scene pan out? Crawford enters without taking any precautions (except the hat that manages to fool the one security camera) and only by plot armor cloak is by neither victim, who are frolicking in the pool a few feet from him and could and should see the old stocky dude hobbling around their bungalow fully in the open. Then he enters through a keycard that is never explained. Poolside we then see at one point the lieutenant looking towards the bungalow, frowning; what's with the frown? There is nothing suspicious about what is shown there, and Hopkins is not doing - at that part of the scene, the way it is edited - anything that would draw attention. Also, the phone call at the beginning doesn't make sense for anything but providing background for the audience, considering he already knew where Nunally was.

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