Jaws

Continuity mistake: As Quint lies to Ellen Brody on the radio and yammers that they caught a couple of stripers, the window above the portable stove in the cabin is spotless. However, a moment later when Hooper is on his way to get to the homing device, there is an interior view as he walks along the side of the boat outside. In this shot there are scraped blotchy remnants of a large rectangle sticker on that same window, above the stove. (01:23:15)

Super Grover

Continuity mistake: When Mrs. Kintner confronts Chief Brody on the dock, in the shots facing her the veil blows away from her face, but in the shots facing Brody, the veil blows towards her face. (00:36:10)

Super Grover

Continuity mistake: After Brody walks out of the store with a box of sign supplies, wood stakes, and boards, Brody dumps everything into Hendricks' arms, with the points of the five wood stakes facing Hendricks' right side. When Brody drives away as Mayor Vaughn calls out to him, Hendricks walks over with his arms full, but all the stake points now face his left and the supplies box is turned around, note its printed sides. (00:11:15)

Super Grover

Continuity mistake: After Hooper and Quint come up from the engine room, there are grease stains all over the front and back of Hooper's blue sweatshirt, that disappear, reappear or keep changing throughout the following shots. (01:43:35)

Super Grover

Continuity mistake: Throughout the film, there are abrupt changes concerning the position of the sun's shadow, or going from being windy to not, or being overcast to bright and sunny, or where the water is either at a dead calm or pretty rough, all between consecutive shots within a scene. (00:15:15 - 01:21:30)

Super Grover

Continuity mistake: Aboard Orca, right beside the yellow barrels on deck, there is something large that is wrapped with green tarp and rope going round it. The tarp and the rope change significantly between consecutive shots throughout their hunt. (01:41:15)

Super Grover

Continuity mistake: Near the end, when Quint is struggling to get away from the shark, the nearby cans on the deck change between shots.

Continuity mistake: The fire extinguisher in the cabin, between the door and window, changes from an older tank to a clean newer one. Note the label and condition of red tank when Hooper sticks his tongue out at Quint and later when Quint removes it to put out the fire in the engine room. The silver clasp holding the tank reverses itself and the black holder changes its position on the wall between shots as well. (01:19:30 - 01:48:00)

Super Grover

Continuity mistake: When Hooper runs below deck to get the electronic homing device, in the wideshot he breaks apart the plastic case, throwing the clear top to one side and the yellow bottom to the other side. However in the next close-up the plastic case is suddenly intact, right below Hooper's hands. The yellow cord is in Hooper's hand in the wideshots, but not in the close-up. (01:23:55)

Super Grover

Continuity mistake: While Brody and Hooper are at Quint's, just as Quint says, "And don't forget the color TV," the six small shark jaws hanging on the far wall, beside the window to Brody's left, are visible. However, when Hooper ties the sheepshank knot, there are only three small shark jaws beside that same window, near the stove. (01:06:30)

Super Grover

Continuity mistake: When Quint and co. are tracking the shark, they use harpoons tied to barrels to tire the shark. When the shark is approaching Brody, who sits on the foremast waiting to shoot it, the surface of the water is visible behind it and the barrels are gone in two shots. The barrels are also gone when the shark blows up. (01:59:40)

Continuity mistake: On the dock, as the Tiger shark is being raised there is an arrow above its gills, a second arrow below its dorsal fin and a broken arrow shaft in the wound just beside that dorsal fin. When Hooper tells the three fishermen that it's a Tiger shark, the broken arrow beside its dorsal fin is now a nice, long, whole arrow. All of the arrows change their degree of penetration in the shark's hide throughout these shots. (00:32:55 - 00:34:20)

Super Grover

Continuity mistake: When Quint and Hooper show their scars and as Quint talks about the U.S.S. Indianapolis, the leftover food on the plate keeps changing between shots, as does the position of cutlery, etc. Hooper's position on the seat (note the window behind him) changes between shots as well. (01:28:00)

Super Grover

Continuity mistake: After Brody says, "You're gonna need a bigger boat." he and Quint go out on deck and there is a long rope tying the open cabin door to the rigging at the rail. However, when Hooper jumps down from the bridge deck the rope is gone. (01:21:25)

Super Grover

Continuity mistake: After wrapping the lines round the stern cleats, Quint yells, "Stand away from those stern cleats!" In the wideshot Quint stands at the wheel on the bridge deck, facing the bow, but in the next close-up he stands beside the foremast, below the crow's nest, facing the stern. (01:43:05)

Super Grover

Continuity mistake: When the shark swims away with the roast bait, a dramatic close-up of the quickly unfurling thick link chain lying on the dock is shown beside the trashcan. The unmoving end of the chain lies behind, to the left of the trashcan and the end being pulled is on the right, with the slack at the center. Now when the chain is pulled taught in the following shots, the trashcan should have flipped over, if the slack chain was indeed where it was shown to be in the close-up. In the wide shots the trashcan sits on the left at the center of the dock, but the chain being pulled is attached to the piling at the right corner end of the dock. (00:26:15)

Super Grover

Continuity mistake: The chum markers, with the yellow flags, disappear and reappear on deck, in consecutive shots within the same scene. For instance, in the wideshot when Quint, Brody and Hooper are splashed and Quint shouts, "Untie us! He'll pull out the transom!" they are gone, but are back in the next shot of the deck. They keep changing positions as well. (01:43:40)

Super Grover

Continuity mistake: At Quint's place, he lifts two shark jaws out of the boiling water on the stove, in the close-up. In the next wideshot, the two jaws are positioned differently within the tongs Quint holds. (01:06:55)

Super Grover

Jaws mistake picture

Visible crew/equipment: In the scene where Quint shoots the shark with a harpoon gun, when the harpoon hits the shark you can see the shadow of the cameraman. (01:39:25)

Continuity mistake: When Brody boards the Orca, as Quint shouts, "Daylights wasting," the other docked boats along the surrounding shoreline are visible; for example, right across the docked Orca is a yellow boat pinning a white boat between it and the shore. When Orca gets underway, the yellow boat now pins a red boat between it and the shore, and in the close-up of Brody at the stern, there is a small white boat to his left that disappears in the next wideshot. (01:11:40)

Super Grover

Hooper: You know those eight guys in the fantail launch out there? Well, none of 'em are gonna make it out of the harbor alive.

More quotes from Jaws

Trivia: Actor Robert Shaw took inspiration from and based his performance of Captain Quint on an eccentric, real-life Martha's Vineyard fisherman named Craig Kingsbury. Steven Spielberg was deeply impressed by Kingsbury, also, and actually cast him in the role of fisherman Ben Gardner. Beyond that, Kingsbury's colorful language around the set was often written into the dialogue of Captain Quint and Ben Gardner.

More trivia for Jaws

Question: There are two scenes on the boat after they have seen the shark and Brody has a panicked look, while in the background a shooting star passes right behind him. This happens twice, but it's in the day time. Was it real?

Answer: Although the 1995 documentary "The Making of Jaws" claims that the shooting star was real, the fact is that the shooting-star background effect is a Steven Spielberg trademark in most of his films (first noticed in "Jaws," but also appearing in "Close Encounters," "E.T. The Extraterrestrial," "Indiana Jones and the Temple of Doom," "Saving Private Ryan" and others). Spielberg has always had a fascination with shooting stars, dating back to his childhood, and he works them into almost every film. Http://americanprofile.com/articles/steven-spielberg-shooting-stars-movies/.

Charles Austin Miller

More questions & answers from Jaws

Join the mailing list

Separate from membership, this is to get updates about mistakes in recent releases. Addresses are not passed on to any third party, and are used solely for direct communication from this site. You can unsubscribe at any time.

Check out the mistake & trivia books, on Kindle and in paperback.