The Jackal
The Jackal mistake picture

Continuity mistake: The Jackal takes a drink from his glass and as he looks at it, it's almost completely empty with just a little bit at the bottom. He then tells Terek he wants $70 million to take this job. After Terek agrees, the camera cuts back to Jackal and his glass on the table beside him. His glass is now half full. (00:11:55)

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The Jackal mistake picture

Continuity mistake: When the Jackal and Terek are discussing the terms of his target and payment, the Jackal begins saying how much he wants. His glass on the table next to him is about half full. He continues talking and the camera cuts to a close up, at which point he reaches for and pulls the glass up into view to take a sip. There is now noticeably less liquid in the glass. (00:11:35)

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The Jackal mistake picture

Continuity mistake: Terek comes into the room where the Jackal is staying and pours himself a drink from a bottle. He turns to the Jackal as he is putting the cork back into the bottle and holds it up, asking if he would like a drink. The camera cuts to the Jackal, who speaks in Russian for them to just get to the point. When the camera cuts back to Terek, he's still holding the bottle out in the same position he was, but now the cork is suddenly gone from it. It jump cuts to him turning to set the bottle down, and then suddenly the cork is back in it once more. (00:10:30)

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The Jackal mistake picture

Continuity mistake: After the Major shoots Ghazzi, a wide show shows Preston bent over as he's trying to get up. He's got his right knee forward with his right hand on his knee. It then cuts to a closer shot of him, and suddenly his left knee is now forward and he's picking his hand up off the floor. Also, the soldier behind his extended left arm suddenly vanishes. (00:07:30)

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The Jackal mistake picture

Continuity mistake: In the opening scene as Ghazzi's car is about to pull up to the club, they round a corner at an intersection where the camera cuts to a different angle. There is a white van to the right of Ghazzi's car as they turn with nothing behind it, but in the next shot there is suddenly a smaller white vehicle of some sorts visible behind the van. Additionally, a third car appears on the left side, as a red vehicle next to the crowd of people at the club's steps. Thirdly, though it is very difficult to tell due to the shadows of the buildings, it might be that the three people walking past the red car suddenly appear between shots as well. (00:04:00)

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Factual error: Just before Declan and the Jackal start shooting at each other in the subway tunnel, one of the trains starts coming from the opposite direction and begins passing Declan. This train continues to pass him at full speed for a full 35-40 seconds while they shoot it out. Subway trains are not nearly long enough for that. Also, during this time another train comes from behind him and he has to get between them and hold onto the light for a few seconds while they pass. But the second train then passes first while the first one passes fully about 2 seconds after the second one came... and it got there first, by about 15-20 seconds. Subway lines are about the same length as each other as well. But the first one was way longer and way wrong. (01:49:30 - 01:50:05)

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More mistakes in The Jackal
Video

Isabella: Some nights I can close my eyes... and sleep... and no dead faces come to wake me. That's... that's more than I ever had. You wouldn't have me give that up, would you?
Declan Mulqueen: Give me some credit, will ya?
(00:36:40)

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More quotes from The Jackal

Trivia: Just a few months before his death at age 91, Fred Zinnermann, who directed the original The Day of the Jackal (1973), on which this movie is based, actually fought Universal Studios to change the name of the film. Saying that the original had stood the test of time and he did not want the remake to bear the same name. (00:01:25)

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More trivia for The Jackal

Question: Why didn't Koslova try to fight while the Jackal is talking to her?

Answer: Because she's dying, in shock, losing blood, and in pain.

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