Corrected entry: McCauley discusses moving to New Zealand with Eady, but with his criminal record, he would never get a tourist visa, let alone an immigrant visa.
Corrected entry: In the armoured car robbery scene, when the explosive charge is fired, the windshields of the row of nearby cars all explode but none of the car alarms go off.
Corrected entry: When Waingro kills the prostitute at the hotel, the girl he kills is a fair-skinned African American, but when Vincent Hanna is called out to the crime scene, the dead girl under the sheet is a darker skinned African American with braided hair, obviously not the same person. (00:54:45 - 00:58:10)matthewgregorycox
Corrected entry: The shot of the guards in the back of the armored truck shows them getting slammed by Waingro's rig from the wrong side. When shown from inside, assuming you are looking toward the front of the armored truck (you can see the door leading to the cab, as well as the window positions), the impact comes from the passenger's side. When the scene is shown from outside the truck, the impact is obviously on the driver's side.
Corrected entry: When Vincent is in the hospital waiting area with his Justine, as he hugs her you can see his watch at 1:00AM. Then he gets a page and runs down the stairs to leave. The big clock on the wall says 9:00 as he runs by it.
Corrected entry: DeNiro and Kilmer were at least ten yards from the bank entrance and on their way to the getaway car when spotted by Detective Casals who was driving up to the bank. Al Pacino then gives the order to park the car and walk up to the bank. Almost 1 minute later, DeNiro and Kilmer are still walking to the getaway car. Tom Sizemore made it from the bank entrance to the getaway car in 22 seconds. Deniro took at least 55 seconds, and Kilmer took at least 1:15 to walk the same distance (30-35 meters max). Kilmer also no more than 5 meters behind DeNiro when they walked out of the bank.
Corrected entry: When Vincent is closing in on Neil near the climax of the film, they're on foot at the end of a runway at LAX. The powerful microwave and infrared transmitters on the ground at the end of a runway can seriously injure and kill very quickly - many people have been maimed or killed by sneaking onto commercial runways. Both Vincent and Neil should have been affected.Nicki
Corrected entry: During the drive-in shootout, while the driver of the white pickup is trying to make a getaway, Tom Sizemore shoots into the truck several times with a Benelli M3 12 gauge shotgun. The Benelli M3 is a semi-automatic shotgun, requiring no pumping between shots to eject the spent shells. But Tom Sizemore is seen pumping the shotgun to eject the empties. This is probably due to the fact that blank rounds were used during the scene, which don't have enough power to cycle the action automatically, thus requiring manual pumping.
Corrected entry: There is a scene in which Pacino's character and another break down the door to Henry Rollins' character's apartment. The ensuing scuffle shows Pacino wrestling with Rollins. The problem is the double used for Pacino is blonde. You have to look closely and quickly cause it goes by fast - but the double appears to be about 25 years old too...
Corrected entry: In the scene where De Niro is waiting inside a station wagon at the drive-in movie, a white Dodge Ram pulls into the lot with money for the stolen bonds. De Niro told Van Zandt to send only one person. As the Dodge drives towards De Niro, it passes the snack stand where Val Kilmer is perched upon armed with a high power rifle. As the scene progresses, the second man in the bed slowly gets out to shoot De Niro. If you look closely at the tailgate of the truck, you will see it is one of those rubber net air gates which you can see through. As the truck passed by the snack stand, how could Val Kilmer have missed the second man in the bed of the truck?
Corrected entry: After the big LA shootout, as the fat guy tries to escape, he falls in a fountain. When he next picks up the young girl as a hostage, his suit is completely dry. When dead on the ground, it is wet again.
Corrected entry: The millions they stole, even in $100 bills, would be too bulky to fit in the duffel bags they ran off with.
Corrected entry: When De Niro, Sizemore, and Kilmer are trying to get away from the police after their bank robbery in downtown LA, the tires of their car get shot out by Sgt. Drucker. He uses a 12 gauge shotgun. If you take into account the distance between Sgt. Drucker and the car (there's a cutscene) and how the pellets of a 12 gauge shell disperse after discharge, it is nearly impossible to shoot out a tire of a car like it's done in the movie.
Corrected entry: Pacino arrives at various crime scenes throughout the movie, and gets let through the police tape by a patrol cop without him having to flash his badge. Maybe they've been made aware of Pacino's imminent arrival. When De Niro is running away into the airfield near the end of the movie, and Pacino giving chase, he grabs a shotgun out of a cops arms as he runs, simply saying "Gimme that shotgun." To this the cop just answers "Yes, Sir." The patrol cars have only just arrived at the hotel after the Waingro shooting, so how would one of those cops know who the guy grabbing his shotgun was?
Corrected entry: In the shootout scene in the streets of downtown L.A., the driver of the getaway car is killed when shot in the head by a single bullet. In the shot prior to this event, the bullet hole in the windshield appears prior to the shot being fired.
Neil McCauley: Roger Van Zant?
Roger Van Zant: Yeah, who's this?
Neil McCauley: You know who this is.
Roger Van Zant: Yes I do, yes I do. I sent a guy to deliver the package. He didn't call, is everything all right?
Neil McCauley: Tell you what, forget the money.
Roger Van Zant: What?
Neil McCauley: Forget the money.
Roger Van Zant: Wh...it's a lot of money. What are you doing? What do you mean, forget the money?
Neil McCauley: What am I doing? I'm talking to an empty telephone.
Roger Van Zant: I don't understand.
Neil McCauley: 'Cause there's a dead man on the other end of this fuckin' line.
Trivia: Just after the scene when Waingro escapes being killed, there's a shot of De Niro looking at the sea through the glass with his left arm touching a window frame, and his automatic gun on a little table. This shot is inspired by the picture "Pacific" (1967) made by the Canadian artist Alex Colville.
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