The Phantom of the Opera

Factual error: Raoul is the Vicomte de Chagny and he gets called that throughout the movie, even during the auction (which shows he didn't change titles when his parents or his brother died, for example). Yet Christine's tombstone calls her a countess when it should have read viscountess - or, even better, vicomtesse.

Sereenie

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Suggested correction: When you watch "love never dies" he leaves her because the phantom won the bet, it's implied they got a "divorce" so she is still a countess.

But, in love never dies, it shows Christine dying in the year 1910, (when the whole thing was set) but on her tombstone, it shows that she died in 1913. Since Gustave is ten years old, this would make Christine in her late forties-early fifties when she had him, which is practically impossible. This is why I love LND's music, but the story is just too cheesy and inconsistent to the original for me. Since the original creator of the musical, Andrew Lloyd Webber, has chosen to call it a "stand-alone piece." and not a sequel, I would not use it as a reference for future endeavors with the trio.

Vicomtesse and Comtesse are two completely different titles. For Christine to become a Comtesse, Raoul would have had to become a Comte, but he didn't. He remained a Vicomte, therefore, Christine's tombstone should have read Vicomtesse de Chagny. It doesn't, so this mistake is valid.

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Trivia: When Christine removes the Phantom's mask, he pushes her down on the floor. Right after he says 'Curse you,' the camera goes back to her: she is half laughing. (00:45:30)

Sereenie

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Suggested correction: She's not laughing, it's shock and fear, she doesn't know how to react.

Other mistake: When the phantom sings behind Christine's mirror in her dressing room, she starts to walk towards it, entranced. It's obvious he is behind the mirror, and it's a one-way mirror. But, when she touches his hand, wouldn't the mirror have to be opened up? They act like she can just walk into the mirror. (00:30:55)

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Suggested correction: When the Phantom begins singing behind the mirror and Christine approaches, it appears as if she walks through the mirror to the other side, then grabs the Phantom's hand. The hallway she is taken into is elaborate, with gold human arms holding candles. Later, when Meg looks for Christine in her room, she finds the mirror odd and slides it open to enter the secret hallway, finding it dark and rat-infested. This proves that what Christine saw was in her mind and that she imagined she walked through the mirror.

Revealing mistake: As the grating descends on Raoul, in two shots, large bubbles are flowing downwards. It's obvious, the film was reversed. (01:59:15)

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Trivia: In one of the 1919 flashback scenes, Raoul looks out of the car window at a Swarovski jewelry store. The Swarovski crystal company made the chandelier for the film, valued at over $1.3 million.

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Question: In the final scene, when we see the rose and ring that the Phantom have left on Christine's grave, we also see that she died two years before the scene takes place. Why did the Phantom wait two years to leave the ring on the grave? Was he previously unaware of Christine's death?

Answer: I like to think that he would always place a rose there, possibly every week or so, and they never had the ring on them. And he knew When Raoul would be there, so he placed them when he knew he would be alone with her. As for the two years later, since the phantom "knew" when Raoul came... he especially put that ring there. Just to let Raoul know about his love for Christine and the fact he is still living. He knew Raoul would visit then, and knew what to do. (This is only a theory I have proposed. As for a genuine answer... I am not aware of one.) Hope this maybe helped.

Answer: It may have been Christine's birthday, or anniversary of sort.

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