The Phantom of the Opera

Easter egg: On the Bonus Features DVD, disc 2, on the main menu just under "The Show," there is a small curly square of decoration that illuminates when you click it. It shows the trailer of the film.

Easter egg: On the Bonus Features DVD, disc 2, in "Under the Movie" there are two Easter eggs. One is located on the bottom left hand side, click on the small curly square of decoration that illuminates - the Phantom sings a solo "Learn to be Lonely." The second is above this one (top left) which consists of Emmy Rossums' screen test. (Region 2 DVD)

Easter egg: On the Special Features Disc, in "The Movie" menu under "Features," at the bottom, on the left, click on the curly part of the decoration so it's highlighted. It shows a cast/crew sing-a-long for the song "The Phantom of the Opera."

Revealing mistake: As the grating descends on Raoul, in two shots, large bubbles are flowing downwards. It's obvious, the film was reversed. (01:59:15)

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The Phantom: Softly, deftly, music shall carress you. Hear it, feel it, Secretly possess you.

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Trivia: Christine's attire during her performance of 'Think of Me' for Hannibal is copied from the most famous painting of Emperess Elisabeth of Austria, also known as Sissi.

Sereenie

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Question: During point of no return, the phantom has no disguise on. If everyone was after him, why didn't anyone stop the performance and capture the phantom?

Answer: During "Point of No Return, " the Phantom shares a stage with the very vulnerable Christine. He is still masked, though it is a mask other than his trademark white face covering. The Phantom is well known as a murderer and an escape artist. This is the the equivalent of a hostage situation. To rush the stage might risk lives, and everyone in the know is proceeding with caution. During the song, we do get glimpses of police moving about, and Raoul and others looking concerned, subtly signaling one another and considering their next move. The stage crew seems confused. The dancers go on with the show. And law enforcement officers await the right moment to advance. It also gives us the opportunity to enjoy a dramatic musical number that rushing the stage would interrupt.

Michael Albert

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