The Phantom of the Opera
The Phantom of the Opera mistake picture

Continuity mistake: At the end when Meg steps out of the water, her pants are wet. However, when she enters the bedroom and finds the Phantom's mask, her pants are perfectly dry. (02:10:35)

Revealing mistake: As the grating descends on Raoul, in two shots, large bubbles are flowing downwards. It's obvious, the film was reversed. (01:59:15)

The Phantom of the Opera mistake picture

Deliberate mistake: As Christine approaches the Phantom in his lair (just after he has abducted her), we see that she is wearing very dark black eye-shadow. Back in the dressing room after coming off stage, as she talks to Raoul, we saw her face in close up and she was not wearing any eye-shadow at all, even though the Phantom leads her through the mirror just after she has managed to slip on a robe over her undergarments and she has not yet changed to go out to supper (Raoul says she is to be ready in 2 minutes). Her hair becomes 'bigger' and wilder, too. The change in her appearance is a reference to her descending (voluntarily, I might add - he didn't drag her through that mirror) into the Phantom's dark existence and to her sexual awakening. (00:28:45 - 00:37:10)

More mistakes in The Phantom of the Opera

Trivia: In one of the 1919 flashback scenes, Raoul looks out of the car window at a Swarovski jewelry store. The Swarovski crystal company made the chandelier for the film, valued at over $1.3 million.

Trivia: Christine's attire during her performance of 'Think of Me' for Hannibal is copied from the most famous painting of Emperess Elisabeth of Austria, also known as Sissi.

Sereenie

Trivia: The candles that light instantly as they emerge from the water in the Phantom's Lair were not computer effects - special air-sensitive candles were used. Luckily, the scene was captured well in the first take, as when they tried to re-shoot the scene the candles wouldn't work again.

More trivia for The Phantom of the Opera

The Phantom: Too late for prayers and useless pity!

The Phantom: Softly, deftly, music shall carress you. Hear it, feel it, Secretly possess you.

Auctioneer: Lot 666, then...a chandelier in pieces. Some of you may recall the strange affair of the Phantom of the Opera-a mystery never fully explained. We're told, ladies and gentlemen, that this is the very chandelier that figures in the famous disaster.

More quotes from The Phantom of the Opera

Question: Who is the old man in the wheelchair who puts the music box with the monkey on Christine's grave at the end?I thought it might be Raoul but the box belonged to the phantom and he hated the phantom.

Chosen answer: It is Raoul. He gets the music box because Christine obviously loved it, shown by the fact that she had obviously described and remembered it in such great detail many years after last seeing it. He buys it for her as a gift of love, even though she has died.

mandy gasson

Question: During point of no return, the phantom has no disguise on. If everyone was after him, why didn't anyone stop the performance and capture the phantom?

Chosen answer: During "Point of No Return, " the Phantom shares a stage with the very vulnerable Christine. He is still masked, though it is a mask other than his trademark white face covering. The Phantom is well known as a murderer and an escape artist. This is the the equivalent of a hostage situation. To rush the stage might risk lives, and everyone in the know is proceeding with caution. During the song, we do get glimpses of police moving about, and Raoul and others looking concerned, subtly signaling one another and considering their next move. The stage crew seems confused. The dancers go on with the show. And law enforcement officers await the right moment to advance. It also gives us the opportunity to enjoy a dramatic musical number that rushing the stage would interrupt.

Michael Albert

Question: Is Il Muto an actual opera? I rather enjoyed it and thought I would try to see it.

Chosen answer: No. Andrew Lloyd Webber created it for his show's purposes.

Sereenie
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