The Phantom of the Opera

Factual error: Raoul is the Vicomte de Chagny and he gets called that throughout the movie, even during the auction (which shows he didn't change titles when his parents or his brother died, for example). Yet Christine's tombstone calls her a countess when it should have read viscountess–or, even better, vicomtesse.

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Sereenie
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Suggested correction: When you watch "love never dies" he leaves her because the phantom son the bet, it's implied they got a "divorce" so she is still a countess.

Factual error: In the shot where Raoul and Christine are standing at the window of the Swarovski shop, the window shows the current Swarovski logo of a swan. In the time the movie is set, they still used the Eidelweiss as their symbol; it was not changed until the late 1980's.

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Factual error: During Don Juan, when the Phantom and Christine go up the scaffolding during the song "Point of No Return," round bolts are seen in the wood. It should have square nails holding it together because there were no round bolts in 1870.

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Factual error: The masquerade is set on New Year's Eve. We know that because its poster reads "Bal masqué de la Saint-Sylvestre" - St. Sylvester's Day is December 31st and it's common in French to call that day by its saint's name. Firmin (or André) says that it's been "Three months of relief, of delight, of Elysian peace." This means that the events on the opera house's roof took place in late September or early October at most. When Paris gets snow, it's usually in January, the coldest month according to Météo France. With average temperatures of 15 degrees in October, and higher in September, having a good centimetre or two of snow on the rooftop at that time of year is quite implausible.

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Sereenie

Factual error: In the film, most of the characters don't wear nearly enough stage makeup. In "Think of Me", when Christine is performing in front of a packed auditorium, for example, she would have needed a lot of blush, eyeshadow, eyeliner, etc. just to look "normal" from the audience's perspective. Instead, as you can see by watching the film, she looks pale and washed out.

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